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44 pages 1 hour read

Virginia Woolf

Between The Acts

Fiction | Novel | Adult | Published in 1941

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Chapter 1Chapter Summaries & Analyses

Chapter 1 Summary: “Before the Pageant”

Content Warning: This section of the guide depicts characters with colonial, racist, patriarchal, and anti-gay attitudes, and contains references to rape.

The novel opens in an English village on an evening in June 1939; it is the day before the annual pageant, which is a village tradition, is to take place. Bartholomew “Bart” Oliver, an elderly man who is retired from the Indian Civil Service, is at the Olivers’ family estate, Pointz Hall, speaking with Mrs. Haines, a woman who is married to a gentleman farmer. Bart is discussing the village cesspool and the lack of running water, but Mrs. Haines finds the topic inappropriate. Bart’s daughter-in-law, Isabella “Isa” Oliver, enters the room and thinks about how she is in love with Rupert Haines, Mrs. Haines’s husband. Isa knows they cannot be together because they are married to other people. Isa’s husband, Giles Oliver, is a stockbroker who works in London.

The following morning, Bart’s eccentric, widowed sister, Mrs. Lucy Swithin, who is also at Pointz Hall, wakes for breakfast. Mrs. Swithin is a devout Christian. She is reading a book about prehistoric England, which states that Piccadilly was filled with rhododendron forests. She ponders this history and imagines what it would have been like to live in that time and what life was like for her ancestors.

After breakfast, Giles and Isa’s children—a toddler son George and infant daughter Caro—are out in the garden with their nannies. Bart surprises George with his dog, which makes the boy cry. Bart disparages his grandson as a “cry-baby.”

In her room, Isa brushes her hair and thinks about Rupert Haines, though she also loves her husband as her children’s father. She ponders these two loves as she watches the nannies with her children. She goes to the kitchen, where Bart tells her that George is cowardly and soft, but Isa disagrees. She thinks about the library at Pointz Hall, and though she does not read much, she is fond of the different books in it. She then reads the newspaper and is deeply affected by a story of a girl who has recently been raped by troopers.

Soon after, Mrs. Swithin enters the room. She reminds Bart that the village pageant will take place in the barn if it rains and in the field if it does not. Some villagers are getting the barn ready for the pageant just in case the weather turns. Mrs. Swithin then reminisces about eating fish and lobster when she and Bart lived by the sea as children. Talking about Pointz Hall’s distance from the sea, Mrs. Swithin says England once had no sea and that the inhabitants of the prehistoric forests in England were their ancestors.

Just then, they are surprised by visitors: Mrs. Manresa and her friend William Dodge who chanced upon Pointz Hall while they were searching for a picnic spot. Isa and Mrs. Swithin invite them to lunch. The narrator reveals that Mrs. Manresa is rumored to have been born in Tasmania after her grandfather was sent there following a scandal. She also supposedly had a wealthy first husband from whom she received precious jewels. Her second husband, Ralph Manresa, is a wealthy Jewish man. She is a flirtatious woman, and Bart finds her charming. Mrs. Swithin reminds Mrs. Manresa that the pageant will take place that day, inviting her and William to join them as they watch it. The butler Candish then informs the group that Giles has arrived from London.

Giles enters the house and goes to change before the pageant. He is irritated, having read about the violence in the continent and feeling frustrated that Mrs. Swithin insists upon the pageant at such a time. Giles also thinks of how he used to love his wife and wishes he could have been a farmer instead of a stockbroker. He then greets the guests and takes an immediate dislike to William. Mrs. Manresa is attracted to Giles. Isa recalls meeting and falling in love with Giles while fishing in Scotland. As Giles helps set out the chairs for the pageant, he feels disdain for Mrs. Swithin and the older villagers’ domesticity and quiet living, especially with the impending war. He, however, exempts his father from this criticism. Bart, Mrs. Manresa, and William discuss Shakespeare as they wait for the pageant to start. As Mrs. Manresa and Giles keep looking at one another, Isa begins to feel jealous.

The pageant’s director, Miss La Trobe, has the actors use the bushes near the lily pond as a dressing room and a spot between the trees as a stage. Because of her last name, the villagers believe that Miss La Trobe has come from the Channel Islands and might have some Russian heritage because of her “deep-set eyes” and “very square jaw” (33). She supposedly also had unsuccessful jobs as a teashop owner and as an actor. The Olivers and Mrs. Swithin tell Mrs. Manresa that Miss La Trobe has the villagers act, sing, and dance, and she expects the villagers who are not in the pageant to observe and participate as audience members. Giles secretly reviles sitting passively as an audience member. Noticing his anger, Isa knocks her coffee cup over and William catches it. This makes Giles angrier, and he suspects that William is gay.

Mrs. Manresa finds the idea of the pageant delightful and asks Isa if she has written the play. Isa says she has not, and Mrs. Manresa states that although she is talkative, she struggles to write due to her poor handwriting and lack of ideas. She then boasts that William is a great writer. Isa notices Giles’s silence and, like him, thinks William might be gay. However, she has no problem with this and sees no reason to judge him for it. They then prepare to watch the pageant.

As the actors get ready, Miss La Trobe waits for Mr. Streatfield, the village reverend, to arrive.

Chapter 1 Analysis

The novel plays with the structural norms of theater fiction since it focuses on references to the pageant that is about to take place. Between the principal characters’ interactions—in which they, too, discuss the pageant, as in Bart and Mrs. Swithin’s conversation—there are scenes that focus on ongoing preparations for the pageant, such as servants and helpers in the village preparing food and putting up decorations in the barn. This emphasizes the importance of the upcoming pageant in the novel, and its central role follows the conventions of theater fiction.

The first section introduces the principal characters and their conflicts. It establishes an external conflict between Isa on one hand and Giles and Bart on the other, since she finds their extravagant masculinity irritating. It also sets up an internal conflict within herself: She still feels love for Giles because he is the father of her children and she remembers the good times they had together. However, she has also grown to dislike him, instead wishing she could be with Rupert Haines. She imagines herself and Mr. Haines as “two swans down stream. But his snow-white breast was circled with a tangle of dirty duckweed; and she too, in her webbed feet was entangled, by her husband” (7). She laments that Mrs. Haines knows of her feelings for Mr. Haines and that her marriage to Giles makes it impossible for her to ever be with Mr. Haines. Over the section, Isa also struggles with her conflicted feelings for Giles when she notices him and Mrs. Manresa flirting with each other.

The section also introduces Bart, who sees his time in the Indian Civil Service as his glory days and nostalgically reminisces about being a British colonial officer. His sister, Mrs. Swithin, is introduced as a woman with deep Christian faith and a fixation with prehistoric England and her idealization of her ancestors. Bart dismisses many of her ideas, but despite their differences, they are close to each other and love each other dearly. Giles is introduced toward the end of the section. He still wants to connect with his wife, but he also wants to feel like an active, masculine man. His need to be validated for his manliness draws him to Mrs. Manresa. He is also contemptuous of domesticity, which makes him judgmental and disdainful of his aunt, Mrs. Swithin.

Mrs. Manresa and William are introduced as guests, with Mrs. Manresa having a reputation for her rich husbands and for being unabashedly sexual. The other characters suspect that William is gay, which makes Giles dislike him. However, Isa sees no problem with William possibly being gay, thinking, “Well, was it wrong if he was that word? Why judge each other?” (35). Miss La Trobe, the pageant’s director, is also introduced—she is a social outcast, and the novel’s narrator implies that she is a lesbian.

The characters react differently to Gender Roles and Expectations. As upper-class women, Isa and Mrs. Swithin are expected to follow traditionally feminine roles. Mrs. Swithin seems to accept this, and her passive domesticity inspires Giles’s irritation. However, Isa is less adherent to gender roles and expectations. She does not see her son as a coward or a “cry-baby” for getting scared, and she states that “she loathed the domestic, the possessive; the maternal” (14). Her expressed dislike of maternal possessiveness and domesticity makes it hard for her to feel happy and at peace with her domestic role in 1930s English society.

Mrs. Manresa is somewhat more adherent to gender roles and expectations than Isa but in a different way. She flirts openly, and her focus on pleasing men allows her to get away with violating many of the conservative mores in 1930s England. Giles finds her charming, and Bart enjoys that she makes him feel youthful again, reminding him of his time in India. Bart holds to traditional masculine values and wants to instill these in his young grandson by toughening him up. When his antics only scare George and make him cry, he calls George a “cry-baby” and a “coward.” Unlike Isa, who quietly rebels against gender expectations, Giles completely buys into them. He is preoccupied with appearing masculine, strong, and active, and he hates William because he thinks William might be gay. Giles despises domesticity, and he is angry and sulking as the play begins because he wishes he could be doing something active instead.

Giles’s state of mind is also affected by the news he heard in London about the increasing tensions in the continent and the impending war, highlighting the theme of The Impact of Impending War on Daily Life. He knows that the fighting will soon arrive in England, and he wishes to actively involve himself in it. While the villagers and the other characters are trying to focus on the play, the coming war looms over them. Though they do not want to acknowledge this yet, the war will affect all their lives, bringing up the theme of The Inevitability of Change.

The village and Pointz Hall, too, show that the characters’ world is quickly changing. Pointz Hall symbolizes the past and glory of the village and England, and it is now facing the changes of modern technology as well as changes in culture. For example, the library at Pointz Hall has a collection of old books that is being joined by newer ones that traditionalists will find shocking for their style and content matter. Also, Bart is interested in bringing indoor plumbing to the village and Pointz Hall, which shows that modernity is coming to the village. This represents a country in social and economic transition.

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