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50 pages 1 hour read

Henry Winkler

Being Henry: The Fonz . . . and Beyond

Nonfiction | Autobiography / Memoir | Adult | Published in 2023

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Themes

The Impact of Learning Disabilities

Henry Winkler’s struggle with dyslexia is a central conflict in the book. Due to the lack of understanding of dyslexia during Winkler’s childhood, his condition went undiagnosed and untreated until he was an adult. In his childhood, it triggered animosity in his parents. They refused to understand why he struggled in school and dismissed him. They also yelled at and grounded him frequently due to his poor grades. The lack of understanding and support from them and teachers made Winkler develop strong insecurities and anxieties. He also craved external validation from people he saw as cooler and better than him.

Though he did well in his acting classes, Winkler’s struggles with reading continued to give him problems in college. Even with his success on Happy Days and in other shows, films, and plays, Winkler’s insecurities plagued him. He could not allow himself to be fully authentic in his acting. As he observes of his performance in the television movie A Child Is Missing: “I did everything I could to find myself inside of myself, but the real me was still locked away, sheathed in yards of concrete” (130). Here, Winkler uses a metaphor, comparing something to something else without using “like” or “as.” In this case, he compares his absence of authenticity with being in a prison.

Winkler’s eventual diagnosis of dyslexia in adulthood triggered an emotional outpouring. He realized that he had a condition beyond his control, and struggled with anger at his parents and teachers for not trying to understand his problem and help him. As he writes: “[A]ll the misery I’d gone through was for nothing” (153). However, he used his experience to help others. He decided that he would speak about his struggles so that no other dyslexic child would go unsupported, and he wrote the Hank Zipzer books with Lin Oliver. Dyslexia, he also writes, made him an underdog. This was one of the things that connected him to Adam Sandler and his movies. As he writes, “the theme of every Adam Sandler movie” is that his character “is an underdog, on the outside looking in” (154). Though dyslexia was challenging, it also informed who he was as a person and led to a great friendship.

Winkler advocated for those with learning disabilities like dyslexia and helped them to find support. One man told him that his books helped him “get through school” (154). In therapy, Winkler confronted the insecurities that stemmed from his parent’s lack of support, and helped him heal. In this way, the memoir suggests that it is important to confront the things that hurt you.

Navigating the Entertainment Industry

Much of the book focuses on the struggles and joys that Winkler derives from the entertainment industry. Winkler enjoys early success. He gets roles early on in both The Lords of Flatbush and Crazy Joe. Then he is invited to audition for Happy Days. His audition as the Fonz immediately impresses Garry Marshall, and he gets the part.

Winkler illustrates how it’s important to listen to and learn from others. During his time on the show, he had to adapt to screen acting, which seasoned television actor Ron Howard helped him with. Ron encouraged him to be patient with the writers, and Winkler took this to heart. He describes himself as “theater-seasoned but TV ignorant”; stage acting had not completely prepared him for the nature of the entertainment industry. Ron Howard’s advice was crucial for his success: “a little tolerance, with a sprinkle of patience” (41). Winkler’s performance in the show made him and the Fonz household names. Even years later, the Fonz remained a beloved character in popular culture.

The entertainment industry was also fraught with pitfalls. The Fonz’s popularity proved to be a challenge to Winkler’s career after the end of the show. Winkler reflects on how Hollywood’s preferences can change quite drastically. Ron Howard was initially intended to be the lead of Happy Days, and then was neglected by ABC. However, Howard demonstrated that adaptability is key. He left the show and went on to become a highly successful director and producer. Meanwhile, Winkler struggled to find work after the show ended. He felt pigeonholed by the Fonz: “The only problem was, nobody wanted me. What that really meant was, nobody wanted me to be anything besides the Fonz” (97).

Like Howard, he adapted. At the suggestion of his lawyer, he joined a production company and helped to create the show MacGyver, among other shows. He also directed two feature films, Memories of Me starring Billy Crystal, and Cop & ½ starring Burt Reynolds. In the 1990s, he found more acting work, becoming a regular collaborator with John Ritter and Adam Sandler. He also demonstrated versatility as an actor in a small but significant role in Wes Craven’s Scream. He delved into voice work. His success in Barry gave him more self-confidence and impressed people in the industry, such as Michael Lombardo. As Lombardo said: “I had no idea Henry Winkler had that in him” (187). Winkler’s performance helped him in his journey toward self-acceptance and healing from childhood wounds.

The Importance of Self-Acceptance

Winkler struggled with insecurity and perfectionism. His journey toward self-acceptance is essential to the memoir. His undiagnosed dyslexia and his parents’ and teachers’ lack of knowledge made him feel unintelligent. His difficulty in both academic and social settings made him feel deeply insecure. He felt that he needed to attain success to be loved, and that only then could he love himself. In the memoir, he wonders if his need to perform from an early age was “a desperate cry for attention” or “from never feeling seen or heard by [his] parents” (15).

Winkler failed to win popularity. He tried “running after the cool kids, trying to get into cliques, always just out of reach of making it” (15). He continued trying to get validation and acceptance from his peers even after starting on Happy Days. When De Niro remembers something Winkler had said and smiled, Winkler thought: “Oh, man. Had I caught up to the cool kids at last?” (178). He felt that he had to remove that part of himself, the part of him that needed external validation to love himself. He needed to move forward and have better relationships with his family, his career, and himself (178). He realized that his inability to accept and love himself, and his need to always outdo and prove himself was harming his work and keeping him from reaching his potential. It was also keeping him from being fully open in his relationships with his wife and others.

Winkler’s work with a therapist was key to healing his childhood wounds. He worked on accepting and loving himself as he was. He realized that “wanting to be perfect” and “not being able to handle that [he] was not who [he] wanted to be or thought [he] wanted to be” were problems he had to confront (189). Working on Barry with the acting coach Gene Cousineau helped him confront his insecurities and to accept himself (192). The following was key for combating his insecurity and moving toward self-acceptance: “Release the negative thought before you put a period on the end of it” (155). Winning awards for Barry and working with his therapist to eliminate negative thoughts and childhood wounds helped Winkler to make peace with himself and his life.

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