88 pages • 2 hours read
Pam Muñoz RyanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Los animalitos is Spanish for “little animals.” Naomi’s soap carvings are all groups of small animals. Both the animals themselves and the act of carving them represent comfort and later in the novel, a tie to her cultural heritage, for Naomi. When she needs help falling asleep, she pulls out a group of elephants and places them on the shelf above her bed. Gram and Bernardo turned her on to carving at a young age because Gram hoped it would soothe Naomi’s nerves to keep her hands and mind busy.
The theme of family and group belonging is highlighted through Naomi’s little animals. Naomi’s carving the animals in groups evokes family groups—they are never alone, always safe together, the same way Naomi and Owen travel with their family group. Even the contest carving for La Noche de los Rábanos consists of little groups of animals from across the animal kingdom. The image evokes communities made up of families, made of little groups of people all together.
Los animalitos also strengthen Naomi’s connection to her father’s side of the family. In Oaxaca, she learns that her father also carves little animals, which he sends to his aunt Teresa. She paints them, and he sells them in shops near the beach. Their collaboration is a family and cultural tradition. Finding out that she and her father have animalitos in common strengthens Naomi’s connection to her father and cultural heritage.
Each chapter is also named after a gathering of animals. The titles hint to the tone and plot development for each chapter. For example, Skyla arrives in a chapter titled “A Skulk of Foxes.” Both the word skulk and the nature of foxes foreshadow Skyla’s sneakiness and hidden agenda. The children reunite with their father in a chapter called “A Pride of Lions,” which references the family’s last name León, which is Spanish for lion. Pride takes on a double meaning in the chapter as Santiago and Naomi both feel pride when he learns that Naomi took part in La Noche de los Rábanos, marking the 101st year a León has participated in the event.
While Naomi takes comfort in carving, her brother Owen finds comfort with a piece of scotch tape pressed onto his shirt. When he feels stressed, Owen wears more tape than usual, as seen through Owen’s habits and behavior. Naomi reacts with surprise and concern on the day of parent-teacher conferences because she notices Owen “had increased his tape usage considerable” (66). On his way out of the doctor’s office, the palpable tension in the room makes Owen eye the doctor’s roll of tape on the way out of the door. These instances demonstrate that Owen uses Scotch tape as his kind of emotional security blanket. The tape symbolically helps Owen hold his emotions together. When Naomi loses control of her emotions, Owen responds by sticking a piece of tape on her backpack. His gesture shows that he understands Naomi’s outburst came from stress, and not her true feelings. Offering the tape is his way to offer comfort and support holding her emotions together.
Oaxaca, Mexico is the place where Gram, Naomi, and Owen undergo the most character development. Colors are bolder in Oaxaca than they are in Lemon Tree. The family’s travel to Oaxaca mirrors that boldness: Gram takes a major risk by uprooting her trailer and driving the children across all of Mexico. Naomi and Owen also become bolder, more childlike, and more themselves while in Oaxaca.
Oaxaca’s magic is highlighted through vivid descriptions of the landscape. They arrive as the sun rises, a universal symbol of increasing personal power and increased self-esteem. The city is described as sitting on top of the mesa of surrounded by “giant curvy purple mountains [standing] guard” (142). Lions are universal symbols of pride, boldness, and high self-esteem—all qualities that Naomi develops in Oaxaca.
Both Outlaw children carry the middle name Soledad after the patron saint of Oaxaca. Their father intentionally gave them the name so that they would be connected to the city, their heritage, and their father’s lineage. Symbolically, Oaxaca represents a haven for the Outlaw children, the same way that Our Lady of Solitude (Soledad) represents a haven for fishermen who get lost at sea.
By Pam Muñoz Ryan
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