125 pages • 4 hours read
James Patterson, Kwame AlexanderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Cassius Clay is the protagonist of Becoming Muhammad Ali, which spans his life from ages 12 to 17 and illustrates the earliest and formative years of his boxing career. When the novel opens, Cassius already believes that he is destined to be “the greatest.” Boxing, over the course of the novel, becomes his means of achieving this goal. Becoming Muhammad Ali is framed by the first two national Golden Gloves championship in Chicago in which he participated, in 1958 and 1959. He loses in 1958, and the book flashes back to just before he began the sport.
Cassius lives in the West End neighborhood of Louisville, Kentucky, with his family, and he contends daily with the racism toward people of color in the Jim Crow South. He knows that racism doesn’t make any sense and believes that everyone should be treated equally. However, he hears stories from his parents and his grandfather of the violence of racism, and Mrs. Clay warns him to be especially careful.
A key moment for Cassius is the theft of his red bicycle. The bicycle is a symbol of Cassius finally getting what he deserves when society has tried to pull him down, and its theft leaves Cassius angry. He fortuitously meets Joe Martin, a police officer and boxing coach, on the day of the theft, and Martin helps him understand that he can channel his anger into boxing. Cassius is immediately taken with the sport, noting that, from the moment he walked into the gym, “it felt good, / real good, / to be in there” (156).
As a boxer, Cassius excels, feeling like he has a found a path forward, which is especially meaningful to him because he is not a good student. He works hard to become the greatest, and as he practices more and more, an image of the future fighter he will be gradually emerges. He dances around the ring and learns to keep his fists up—a flaw that makes him lose both his first match and his first attempt at the Golden Gloves title.
A second key moment for Cassius is the murder of Emmett Till, who was 14 when he was killed. The closeness in age stuns Cassius, and after learning about Till’s death, Cassius feels “a devastating loss”—that of his innocence. No other event makes the reality that racism presents a violent threat to his life more visceral. It is then, at age 13, that Cassius realizes “that maybe boxing could / save us, / take me away / from all this” (217). Like many boys his age, Cassius dreams of being rich, but after Till’s murder, he realizes that the success he can achieve in boxing can provide safety and security for his family as well.
The novel closes as Cassius wins his first fight in the 1959 Golden Gloves championship against Tony Madigan. Ending here reveals the culmination of Cassius’s preparation as both a boxer and a person. His visit to his grandfather’s grave the night before leaving for Chicago illustrates the rootedness that Cassius feels in his community, echoing Granddaddy Herman’s sentiment that Cassius must “know who you are, boys. / And whose you are. / Know where you going / and where you from. / Amen. Amen. Amen” (49). Cassius repeats these stanzas back to Granddaddy Herman, emphasizing how he has followed each of these commands. He sees his future ahead of him, is prepared to face his present, and knows where he comes from.
Rudolph “Rudy” Clay is Cassius’s younger brother. He follows Cassius and his friends everywhere throughout the novel, and he aspires to be just like his older brother. They both become professional boxers, and Rudy himself will become Rahaman Ali, following in Cassius’s footsteps once again. While sometimes impatient when Rudy asks him questions he doesn’t want to answer, Cassius’s care for his younger sibling is clear, as when Cassius allows Rudy to ride his new bicycle and is not perturbed when “all he did was fall / and scrape my brand-new chrome, / so I promise to teach him / later” (121).
Rudy often rides on Cassius’s handlebars, and they take up boxing together. He is one of Cassius’s biggest supporters, cheering him with their parents and friends. His love and desire to emulate Cassius shows both how Cassius himself is a role model and the responsibility Cassius feels to take care of his family.
In the novel, Lucius “Lucky” Wakely is Cassius’s best friend. He is a fictional character, and he narrates the prose introductions to each round. While Lucky and his memories are fictional, they work to further the novel’s story-truth, the idea behind the plot that speaks to an emotional reality. Lucky frequently details aspects of Cassius’s life and character that are not clearly revealed Cassius’s own narration. For example, Lucky describes how “sometimes, when it was just me and Cassius, that confidence slipped a little” (168). These moments alone did not really happen, given that Lucky didn’t exist; however, Lucky’s suggestion that Cassius periodically doubts himself offers a deeper insight into Cassius’s character and his rise to fame as a professional boxer.
Lucky also adds historical context to the novel, explaining that the neighborhood he and Cassius live in is a Black neighborhood in Louisville and that many Black children had conversations with their parents explaining how to behave in front of white people. By giving this insight into Cassius’s background, Lucky deepens the depiction of his struggles growing up in 1950s Kentucky, and it provides further explanation of Cassius’s motive to succeed.
Odessa “Bird” Clay is Cassius and Rudy’s mother. She nicknames Cassius “Gee-Gee” because he made the G sound often as a toddler (35). Cassius describes her by saying that “her heart is the biggest, / wide as the sea” (30). She is dedicated to her faith, and she sings at Mount Zion Baptist Church, where she brings both her sons each Sunday, encouraging them to keep and grow their Christian faith. Bird is Cassius’s biggest supporter, and it is in her that he often confides. After meeting Joe Martin, he asks Bird’s for permission to begin boxing; she is the first person he tells about his dream to become a champion. This shows how much he trusts his mother, and her allowing him to begin the sport despite her worries that he will get hurt also demonstrates how much faith she has in Cassius.
Cassius wants to provide a better life for his mother, promising her that when he becomes a champion, “the first thing / I’m gonna do is buy you a big house up in / the Highlands just like the ones you clean for / them rich folks every day” (180). When he makes this vow, Bird quickly reminds him that she takes pride in her work and that she feels content with what she has. For Cassius, who is so confident, Bird plays a crucial role in his life by keeping him humble, grateful for everything that he already has.
As Cassius comes to follow Granddaddy Herman’s charge to remember who he is, where he’s from, and whose he is, Bird ensures that Cassius knows whose he is because she reminds him of the importance of family and faith. Her prayer before he leaves for Chicago at the end of the novel exemplifies this: “[R]emember whose you are, Cassius Clay. / Hold fast! / Together, we can dream a new world” (283). Her faith is important to Cassius, and Cassius’s decision to join the Nation of Islam later in life—changing his name to Muhammad Ali in the process—suggests that faith remained important to him as well.
Joe Martin is Cassius’s boxing coach. He is also a police officer. Meeting Cassius on the day that his red bicycle was stolen, Martin suggests, “Seems to me if you wanna whup somebody, you should learn how to fight first” (163). He encourages Cassius to use the anger he feels around his stolen bike and channel it into boxing. Martin is a mentor to Cassius, and he helps Cassius get into fight shape, constantly reminding Cassius that if he wants to make his dream come true, he’s “gotta put in the work” (175). His training regimen becomes the focus of Cassius’s life.
Cassius is anxious to get into the ring and fight, but Martin encourages patience. This strategy ultimately pays off for Cassius, as he learns to balance his confidence with practice. Martin also imparts the notion that “[t]he fight is won before you get in the ring” to help Cassius sharpen both his mind and his body (187). Eventually, Cassius repeats this same axiom to Rudy, demonstrating that Martin’s advice has sunk in.
Cassius “Cash” Marcellus Clay Sr. is Cassius’s father. Both are named for Cassius Marcellus Clay, a white slaveholder who freed those he enslaved, and “a man with principles, probably the only white man [Herman] ever knew to be good” (68). Cassius Jr. describes his father as often found “singing / or scolding / or dancing / or joking / with his Saturday night buddies” (37). He sometimes arrives home drunk, and Cassius is much less close with his father than with his mother.
Cash is a painter, and he paints signs for a living. His work can be found all over Louisville, and Cassius lists the variety of businesses for which he paints. Cash has also painted signs like “Whites Only” and “Colored Waiting Room,” showing that his father takes work wherever he it is available (39). By mentioning examples such as these, Cassius highlights the unjust irony in asking a Black man to create a sign that is used to separate Black individuals from white. Other signs, like “Segregation Is Immoral,” add to the contested nature of segregation and racist laws in Louisville. Cash’s work spans it all.
While Cassius is somewhat distant from his father and often fears his father’s anger, he is grateful for the support that he receives from him. Cash’s delivery of the red bicycle shows the affection behind his often-stern demeanor. Later, Cassius notes how difficult it was for him when Cash was arrested and unable to cheer for him ringside at the 1958 Golden Gloves championship: “I couldn’t get / into a rhythm / ’cause it seemed like there was nobody / in the whole arena / singing my name” (237). This quote illustrates how important his father’s (and family’s) support is for him, even if Cassius himself always seems confident in his ability to succeed.
Herman Clay is Cassius’s grandfather and Cash’s father. He was a baseball player, but he was unable to play much professionally because he is Black. Cassius and Rudy would often go over to Granddaddy Herman’s home because he “would give us / something sweet / […] / show us magic tricks, / tell us funny / and not-so-funny stories / about famous / and not-so-famous Negroes” (40). Cassius calls these tales his grandfather’s “sermons,” and it is Granddaddy Herman who tells Rudy and Cassius about the “two Louisvilles” (47).
This sermon is important to Cassius because it emphasizes that they live in a city divided, with only some areas safe for Black folks. Additionally, Granddaddy Herman’s exhortation to “know who you are, boys. / And whose you are. / Know where you going / and where you from. / Amen. Amen. Amen” echoes through Cassius’s mind throughout the novel, as he develops in each of the three areas his grandfather mentions (49). Cassius echoes back Herman’s sermon at the end of the novel, showing not only how important his grandfather’s influence was but also who he has become: someone who knows who he is, whose he is, and where he came from.
Corky is Cassius’s primary antagonist in the novel. He is “the biggest / strongest / meanest / kid / in Louisville” (109). Like his friends, Cassius is afraid of Corky, but he tries to stand strong whenever Corky comes around. Their interactions show that Cassius works hard to appear confident, but his narration reveals that he is just as terrified as the others. He feels that it is his responsibility to protect himself and his family and not to give in to bullies like Corky. Because of his confrontations with Corky, it becomes clear that Cassius will one day have to fight the older boy. Corky tries to threaten Cassius into being afraid of him, and he later reveals—just before they are to fight—that he was the one who stole Cassius’s bike, an action intended to further intimidate Cassius.
When they fight in 1958, Cassius is afraid, but he pretends to be confident, “anything to hide my shaky knees / and the fact / that I was scared / to death” (249). His skill in the ring quickly makes Corky realize that he is no match for Cassius, and he quits the fight, revealing that the tables have turned and Corky’s threats are empty.
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