37 pages • 1 hour read
H. P. LovecraftA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Dyer reflects “with vast hesitancy and repugnance” on what he witnessed in Lake’s destroyed campsite (25). The simple explanation, Dyer tries to tell himself, is that Lake and the men were driven insane by the mysterious mountains and killed one another. The men and dogs show signs of strangling or lacerations, while some appear to have been dissected as though by “a careful butcher” (26). Gedney and one dog are missing from the dead. The Elder Thing that Lake dissected has reassembled its body and stands, buried in snow and motionless, with the other damaged specimens. The strewn remains of a human and a dog cover the dissection table, while Lake’s anatomical tools are missing. Dyer and his team bury any men and dogs that they find and make an itinerary of all the missing equipment. Whatever killed the men seemed to have carefully inspected and cast aside tools, books, and food. Dyer takes photographs of the mystifying scene.
Dyer inspects the damaged Elder Things. Some men use the plane to search for Gedney but find nothing, reporting that the mountain range seems endless. Dyer’s men are horrified and confused, but the strangeness of what they have discovered fascinates them. After a night’s rest, Dyer and Danforth take a plane and fly through a mountain pass. They notice the strange uniformity of the rock formations on the bare, black peaks. These formations resemble paintings by Nicholas Roerich. The regularity of the rock formations and cave entrances suggests that they were deliberately built millions of years ago.
Dyer and Danforth cry out “in mixed awe, wonder, terror, and disbelief” as their plane passes through the mountains (30). They fly over an ancient, deserted city carved from the mountains. Giant stone walls intersect below them in “innumerable honeycomb arrangements” (31). Sections of the city seem to have crumbled into ruins long before human civilization began. They fly 50 miles in each direction, noting that the city does not seem to end, though it is roughly 30 miles wide. They find a landing place and begin to explore the city on foot. Climbing through the window of one building, they inspect the faded murals on the walls. They explore the tangled alleys and lanes that separate the buildings, trying to imagine how the city once looked.
As they reach the heart of the city, Dyer notices that Danforth has become “jumpy” (36). He cannot help but talk about the horrors of Lake’s camp, while also commenting on how he does not like some marks on the ground and insisting that he can hear distant music. Nevertheless, the men are scientists so they begin to collect samples. They find a well-preserved room in one of the buildings and enter, laying a trail of shredded paper behind them so that they can find their way out of the complex “nest of apartments” (37). Dyer begins to wonder what happened to whatever entities built the abandoned city.
Dyer skips over many details of his time in “that monstrous lair of elder secrets” (38). He and Danforth make sketches of the wall carvings and take what photographs they can. As they explore, they pass through oddly shaped rooms with floors at different levels. They pass downwards into the levels below the layer of ice that covers the city. The emptiness of the rooms leads Dyer to believe that the city was deliberately abandoned. The statues and murals that remain are unlike any human art but are incredibly detailed and vivid. The murals include maps, star charts, and other scientific designs, as well as information about the creators’ history.
The sense of dread and wonder is almost overwhelming as Dyer descends into the shadowy lower levels. Dyer begins to come to terms with the reality of what he is seeing. The city was not created by any human, he knows, but by a race of Old Ones “that had filtered down from the stars when earth was young” (41). Though the star charts and scientific designs on the wall are tens of millions of years old, they resemble the very latest research conducted by humans. He begins to piece together the story of the Old Ones from numerous murals, carvings, and statues.
The structure of Dyer’s story is repetitive. After establishing the broad outline of the story in the opening chapters, he returns to the narrative and fills in the details that he purposefully excluded earlier. By doing this, Dyer heightens the audience’s anticipation. His aim is to terrify his readers so much that they never travel to Antarctica. By reiterating his fear and trepidation at simply telling the story, he sets the tone for what is to come. Given that the narrator of the story is struggling to recall the truly horrific nature of what he has experienced, the audience expects to experience that horror for themselves. The repetitive structure of Dyer’s account builds on these expectations, while also revealing the fundamental flaw in his plan. Dyer, like his audience, cannot help but be fascinated by the Old Ones and their abandoned city. Each time Dyer returns to an earlier point in his story to flesh out the details, he hints at the excitement and curiosity he felt at the time. This morbid curiosity suggests that future scientists will inevitably ignore Dyer and travel to Antarctica.
The slow descent of the plane mirrors the book’s structure and emphasizes this curiosity. Dyer and Danforth pass over the abandoned city and cry out in shock and amazement. They then descend slowly, circling over the empty ruins with a mixture of awe and fear. The way in which the plane descends builds tension: Each pass over the buildings brings some fresh information, and Dyer’s breathless descriptions convey his excitement. The dark colors of the city and the ghostly nature of the ruins add a sense of dread; the city appears dead and only seems more dead as the men get closer. However, the pair’s curiosity overcomes their fear, and they know that they will inevitably explore the city. The plane’s descent becomes a metaphor for this nervous anticipation.
The alien origins of the Old Ones cause an existential crisis in Dyer. As a geologist, he can date rock formations. This knowledge allows him to accurately assess the age of the mountains around the city and the rock used to make the buildings. He quickly realizes that the Old Ones were alive a long time before humanity evolved. This realization undermines everything he thinks he knows about the history of the world. For a man who has dedicated his life to science and knowledge, the existence of an advanced (nevermind alien) civilization millions of years before human development demolishes his life’s work. Dyer came to Antarctica hoping to further his career as a scientist. Instead, he has made a discovery that shows him how little he really knows. This identity crisis adds an extra dimension to Dyer’s horror, as he no longer knows himself, let alone the world around him.
By H. P. Lovecraft