logo

40 pages 1 hour read

David Diop, Transl. Anna Moschovakis

At Night All Blood Is Black: A Novel

Fiction | Novel | Adult | Published in 2018

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Geopolitical Context: French Senegal

Alfa’s childhood memories in Chapters 14 through 19 take place in Senegal during its time as a French colony, placing At Night All Blood Is Black in the robust postcolonial literature canon. Though born in and presently residing in France, David Diop spent much of his childhood in Senegal and leverages his expertise as a scholar of colonial depictions of Africa and francophone African literature to render the setting, allowing the novel to explore the experience of Senegalese colonial subjects in the early 20th century.

Senegal is a coastal West African nation named for the Senegal River. It is predominately Muslim, and the overwhelming majority of its ethnically and linguistically diverse residents speak Wolof as a first or second language. Alfa has a typical linguistic experience, then, in that he speaks both Wolof and Fulani in childhood but not French, despite his later service in the French army.

Portuguese and French traders, including slave traders, were present in the region from the 1400s and 1600s respectively. The French established a trading station on the island city of Saint-Louis in 1659, which the characters in At Night All Blood Is Black later dream of moving to. Saint-Louis later became the capital of the French West Africa colonies when the French began to conquer inland territory in the 1850s. In 1848, French law made Saint-Louis one of four cities (the Quatre Communes) in the colony in which African colonial subjects were granted full French citizenship, at least nominally. The capital of French West Africa was moved to Dakar in 1902, but Saint-Louis remained the capital of Senegal and the point of departure for valuable shipments of gum and peanuts to Europe. Alfa and Mademba dream of attaining French citizenship rights and moving to Saint-Louis to work as wholesalers after the war. This would have put them in the thick of the vibrant life of a capital city and port and made them part of the colonial import/export trade.

Historical Context: Senegalese Tirailleurs

Alfa refers to himself as a Senegalese rifleman in At Night All Blood Is Black, signaling his membership in the Senegalese Tirailleurs, a colonial infantry corps that served in the French army. The corps was formed in 1857 to control the colony. Members of this unit were later recruited from Western, Central, and Eastern Africa. Promises of full French citizenship, later left unfulfilled, were part of these recruitment efforts, and this false promise of escaping the second-class status of colonial subjects is crucial to Alfa and Mademba’s decision to enlist.

Two-hundred thousand Senegalese Tirailleurs served in World War I, with 130,000 serving in Europe and 30,000 dying. They served at Flanders, Verdun, and the Dardanelles, where some Senegalese units suffered losses of two out of every three men. Though Diop never specifies the particular battlefield that is the setting for At Night All Blood Is Black, the frightful casualties suffered by Mademba and Alfa’s units reflect these realities. Throughout the war, the Senegalese Tirailleurs were noted for courage and strong morale despite heavy casualties, but Diop’s book explores how racial stereotypes played a role in this reputation for courage.

Historical Context: World War I Literature

World War I (1914-1919) is associated with the advent of trench warfare, characterized by prolonged stalemates and defensive struggles between two armies’ opposing earthworks, which were separated by a barbed-wire-protected no-man’s-land that could not be crossed without exposure to artillery and heavy casualties. Battle lines could last years without significant or lasting exchanges of territory. The literature produced during and after this war reckons with the horrific conditions in the trenches, which left men exposed to weather, mud, filth, rats, and infections, as well as grisly deaths by artillery and poison gas, including mustard gas. The contrast between the still-idealized and heroized mobile warfare and the prolonged and horrific conditions of trench warfare produced particularly disillusioned literature, including the 1929 German novel All Quiet on the Western Front (Im Westen nichts Neues), American author Ernest Hemmingway’s A Farewell to Arms in 1929 and In Our Time in 1924, British writer Virginia Woolf’s Jacob’s Room in 1922, and Wilfrid Owen’s battlefield poetry, including “Dulce et Decorum est,” published posthumously in 1920.

Though Diop’s book was published in 2018 and is historical fiction rather than an immediate contemporary response to World War I, At Night All Blood Is Black shares a great deal with this canon. Diop’s theme about the randomness and meaninglessness of death in modern warfare could have been shared by any one of these authors. His use of stream-of-consciousness narration and an impressionistic relationship to the truth also formally connects the novel to high Modernist texts like In Our Time or Jacob’s Room. These formal innovations created the Modernist aesthetic, which became more popular during and after World War I when artists questioned the idea of progress and the supposed march of civilization in light of the horrors of war.

blurred text
blurred text
blurred text
blurred text