48 pages • 1 hour read
Zoulfa KatouhA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Salama Kassab is the 18-year-old protagonist of As Long as the Lemon Trees Grow. As the sole voice of the novel, her characterization deepens with raw emotions, thoughts, and actions that make her feel authentic and propel the plot. She is empathetic, shy, and smart, but also prone to fear and guilt; before the war, she strived to become a pharmacist and writer. Salama starts out fearful and guilt-ridden, but becomes more courageous through her experiences. She learns to defy her circumstances, have faith in her survival, pursue joy, and accept she’s done all in her power to help others. Her greatest challenge is overcoming fear, which surrounds her daily to the point of manifesting Khawf, a mental embodiment of fear. Salama’s mental health is affected by her head injury and PTSD, as she creates hallucinations to cope with her grief. As a medical student, she deduces the hallucinations are a means of survival.
When her sister-in-law and best friend Layla (who is married to her brother Hamza) is revealed as another hallucination, Salama’s mind is revealed to be powerful enough to conceal Layla’s death with happy memories: “For five months my mind has been spinning a fiction to keep my agony sealed away” (295). Losing a loved one would have broken most people, but Salama stays determined and tries to make a positive difference at the hospital. Like her repetition of medicinal uses for herbs and plants, her mind finds ways to cope with tragedy and give her strength—creating realistic illusions of Layla and Khawf.
A brave girl, Salama refuses to give up on Syria and her people. Her survivor’s guilt and sense of responsibility push her to work tirelessly at the hospital, suppressing her own fears to save others. She feels crippling survivor’s guilt, especially over her mother and Layla (and later, her father), to the point of forgetting self-care (despite her father figure Dr. Ziad’s warnings): “For every life I can’t save during my shift, one more drop of blood becomes a part of me. No matter how many times I wash my hands, our martyrs’ blood seeps beneath my skin, into my cells” (2). Through tragedies, Salama often stays calm, using her medical knowledge even through tears. Still, she sometimes runs from the hospital when her grief is too much to bear. She is believable in her complex emotions and mistakes. Salama resents herself for bargaining with Samar’s life, to push her smuggler father, Am, to provide her and Layla safe passage. This act leads to her becoming more callous, but her remorse and inability to eat after using Samar show she’s still empathetic. Later, she grows into a defiant young woman who overcomes her terror to save a young girl from enemy soldiers; she sacrifices herself and is nearly sexually assaulted. Salama’s arc completes when she learns she must fight back, only accepting death if it is her fate rather than shying away from the realities of war or feeling she’s unworthy of happiness. She finds this happiness in Kenan, a young rebel who was once her marriage candidate. She ends the novel putting herself first, leaving Syria despite her heartbreak and building a new life with Kenan in Toronto.
His name being the Arabic word for “fear,” Khawf is an embodiment of Salama’s fears. He is an antagonist, mentor, and reflection of Salama, since he’s born of her trauma. Both he and Layla are hallucinations meant to help Salama cope. But while Layla is gentle, Khawf is harsh, and shows Salama memories and nightmares tainted by fear—such as her mother’s death, her father and brother being taken, and imagined scenarios of Kenan being beaten to death. Khawf is framed as an antagonist, but is secretly helping Salama. He feeds on fear, but also pushes her to leave Syria for her own sake: “There’s no happiness to scavenge from the wreckage. [...] This place is nothing but reminders of your failures and the inevitability of your death” (148). Without his influence, she wouldn’t have taken the necessary steps to save herself and Kenan’s family. Khawf highlights the horrors of the world and how Salama can avoid them, making her stronger by showing worst-case scenarios.
Later in the novel, Khawf reveals he’s “everywhere” and intends for Salama to overcome her own fears. He lives in every human and culture: “Since the beginning of time, I have awoken in people’s hearts. I’ve been given many names in countless languages. […] Humans have listened to my whispers, heeded my council, and tasted my power” (376). He may leave Salama as a visible hallucination, but this doesn’t mean fear itself vanishes. Upon making it to the Syrian coast, she is too brave for Khawf to influence any longer; she will instead face different, less life-threatening fears in Toronto.
Kenan is Salama’s love interest and initial foil. He is brave and responsible, a natural storyteller (as he wanted to be an animator before the war) who partakes in the Syrian Revolution by filming videos of the war. Because he is committed to showing the world Syria’s struggles, he wants to remain in his home country to post videos. Kenan isn’t afraid of danger, often filming protests, bombings, and patients in the local hospital. He disagrees with Salama’s decision to leave Syria, but in the end, his responsible nature (regarding his younger siblings Lama and Yusuf) and her realism convince him to change his mind. Though it pains him, he becomes willing to leave to protect his siblings and new wife.
Without Kenan, Salama wouldn’t have found happiness amidst the loss of all her loved ones. Her mental health, her acceptance of Layla’s death, wouldn’t have stabilized without him. He understands her PTSD, since his brother Yusuf is mute from grief, and supports her mourning of Layla. Kenan’s empathy matches Salama’s, making them a balanced pair. He also brings out her love of creativity, wanting to draw and write together. Overall, he opens her up to happiness and helps her move forward in life, rather than focusing on loss.
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