51 pages • 1 hour read
Colum McCannA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Rami surveys the town’s graffiti; there are markings about the war and occupation, and there are random tributes. On one of the walls, he thinks he sees Abir’s face painted there, but it is just another young girl.
Bassam visits Belfast to give his usual speech on peace between Israel and Palestine. His presentation is met by a standing ovation. Afterward, he talks and interacts with the Irish people. He feels listened to and heard. “It might even be easier,” he thinks, “to be a Palestinian abroad than at home” (177). The thought vexed him.
While building a palatial home atop Mount Gerezim for Palestine’s richest inhabitant, Munib al-Masri, builders discover wood beams, porcelain, and stone in the ground. Al-Masri halts building to do a complete excavation, in which they discover a monastery from 1600 years ago. He replicates the monastery and rebuilds the house 20 feet above it so the site can be opened to the public. People visit the home, which contains lavish works of art by famous painters and sculptors. With all his wealth and his polished appearance many people are surprised that he is Palestinian, much to al-Masri’s chagrin.
Some families of suicide bombers were given new houses by the Iranian government after their family members carried out the act. These payments were funneled through a labyrinthine process—political offices through Damascus, Switzerland, and back to Tehran. On a radical Islamic website there was a post, almost an advertisement for suicide bombers that read: “What you make fall, we will rebuild” (190). Rami viewed the inside of these houses in documentary footage. He watched the parents of the suicide bomber Youssef Shouli, who likely killed Smadar, speak into the camera.
Youssef Shouli studied graphic art at Bethlehem University. He wanted to make a Star of Bethlehem out of protest refuse. He was arrested outside a hotel where he was collecting discarded riot materials for his artwork. The court charged him with inciting protests even though the protest had long been over by the time he was there. He was given a four-year sentence.
Matti Peled, Smadar’s grandfather, was a military general. He taught her English and Arabic while she was growing up. Peled was Rami’s father-in-law, and he was the brains behind the Six-Day War, during which he directed surprise bombing raids and attacks. Despite his strong ties to Israel and his past in the creation of war and imperialism, Peled felt the Occupation was corrupt: “Freedom,” he told Rami, “begins between the ears” (194). He died of natural causes only a year and a half before his granddaughter. They were buried side by side under a grouping of trees.
Bassam was 24 years old at the end of his seven-year prison term. Upon his release, he resolved to find a wife though he’d never even held a woman’s hand. He met Salwa, and they have a date at her parent’s home, where they share Fanta and homemade food. They married just over a month after that date. They’d only talked for two full hours up to that point.
They had a son, Araab, who as a child had been caught throwing stones at school. Bassam was irate and made Araab promise on the Qur’an that he would never take part in a riot.
The end of the first half of the book finishes on a couple important notes. First, McCann describes the reasoning behind birds flying in V formations: “[B]irds position themselves in order to gain lift from the bird in front” (492). Secondly, McCann finally concludes the scene at the beginning of the book where Rami is driving around on his motorcycle killing time. Finally, Bassam meets him, they exchange kind words and discuss the number of people coming to their meeting that day. They are meeting in a monastery, and a monk greets them and takes them to their designated room.
The last part of the first half of the novel finds McCann focusing more on the two families and on the historical events between Israel and Palestine. This serves two purposes. One purpose of this focus is that it provides a scope to the events both families have faced. For example, it is revealed that Rami’s father-in-law was an Israeli general who was instrumental in creating attack tactics against the Palestinians. After this period, he was involved in furthering peaceful ideals in the area in the hopes of ending the Occupation, and he even became close with Arafat, the Palestinian leader. There is also an account of Bassam’s life and the creation of his family after he is released from prison. In particular, there is a relatively long section about his courtship with his wife Salwa.
The second purpose of McCann’s focus in this section is to further the narrative, even in small steps. It is apparent by this point that McCann has little interest in any conventional narrative progress. It comes in fits and starts, but every time he reveals a new detail, the historical scope and complexity has increased and adds more layers and vitality to the central story of Amir and Bassam.
This section’s focus on family, while seemingly less flashy than some of the previous, more incendiary sections, is an important development to note. The families are templates of peace. They show how people from different belief systems and classes can come together in love. The case of Rami’s father-in-law is a great example. Matti Peled was a general who must take some responsibility in the destruction of the Palestinian people. However, after this, he becomes an apostle for peace between the nations and an agent against the Occupation. Rami (and Bassam) continue this line of action in their own group.
The case of General Peled shows McCann’s penchant for understanding, specifically how the historical conditions and actualities of the region can force good people into bad actions. The other primary example is Youssef Shouli, the suicide bomber who likely killed Smadar. Instead of castigating him, McCann spends the time detailing Shouli’s history and how he was wrongfully arrested and imprisoned by the state, which is an event that likely led to his violent radicalization.
Lastly, the symbol of birds and migration have been prominent throughout the book thus far. This symbol comes to its summation for the first half of the book in Section 492, where McCann writes about why birds fly in formations together—it eases the resistance for those not leading. He then writes, “in storms and crosswinds the birds adapt and create new shapes—power curves and S-formations and even figure eights” (210). This imagery should serve as the lasting idea on how the formation of peaceful groups (like Bassam and Rami’s), loving families, and cross-national friendships can serve to fight against the violent geopolitical storms faced by the Israeli and Palestinian people.
By Colum McCann
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