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48 pages 1 hour read

James Baldwin

Another Country

Fiction | Novel | Adult | Published in 1962

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Themes

Understanding Oppression

The opening chapter of Another Country portrays the final hours of Rufus’s life. Rufus is a violent, abusive man who hurts many people. However, he is portrayed in a sympathetic light. Rufus rages against a society that oppresses him. His behavior is a reaction to his oppression, part of his attempt to reason with an unreasonable world. As a bisexual Black man, Rufus has spent his entire life searching for a place to belong. His love affairs end tragically and violently because Rufus does not believe himself worthy of love. He has spent so long in a society that brutalizes him that he has internalized this hate, becoming a self-loathing person. Rufus cannot understand why anyone would dare love him. Leona and Eric are victims of this self-loathing; their love for Rufus becomes a stick with which he beats himself because he does not believe himself to be worthy of anyone’s love. He reacts angrily to Eric and Leona; his violent, abusive behavior is the manifestation of this self-loathing. The only people who stay close to Rufus are either related to him by blood, like Ida, or maintain some degree of emotional distance from him, like Vivaldo. Anyone who gets truly close to Rufus suffers as a result. The key to understanding Rufus’s sympathetic portrayal is to understand the oppression that he has suffered and his desire to inflict similar oppression on everyone else.

Even after his death, Rufus is not truly understood. Characters like Cass and Vivaldo claim to have been close personal friends and to have understood him, but their shocked reaction to his suicide suggests they did not really understand the depths of his suffering. In their conversations, they reference failed relationships or occasional bursts of rage but treat these as isolated incidents rather than a pattern of abuse and oppression that defined Rufus’s life. Instead, their failure to understand illustrates a key part of the theme. Cass, Richard, and Vivaldo are privileged enough to compartmentalize the idea of oppression. To them, oppression is an occasional point of conversation rather than a definitive part of life. Ida’s reaction to her brother’s death illustrates how she understood Rufus better than anyone. Like Rufus, she has lived with racial oppression her entire life. She empathizes with her brother’s oppression because she has experienced the same problems. However, she does not necessarily learn the right lessons from Rufus’s death. Like him, she weaponizes her internalized self-loathing and tries to revenge herself on society. Ultimately, her attempt to hurt Ellis backfires, and she only succeeds in hurting herself. Ida’s pain is an extension of misunderstood oppression by which she learned the wrong lessons from her brother’s death and suffers as a result.

Rufus is Black and bisexual. Together with Eric, Rufus’s sexuality illustrates the way in which dominant parts of society oppress and brutalize others. Eric is oppressed because of his sexuality and must leave the country to understand himself. Meanwhile, Rufus’s oppression is exacerbated by the intersection between his race and his sexuality. Oppression is a nuanced theme in the novel, as discrimination and prejudice can have many contributing factors that manifest in many different ways. Cass, a white heterosexual woman, realizes the importance of these nuances when she thinks about her relationship to the police. She does not inhabit the same world as Eric, Ida, or Rufus. Understanding oppression is the key to understanding the society itself as well as its inhabitants.

Modern Alienation

The characters in Another Country are united by their alienation. They all inhabit the same society, but they do not feel connected to the people or groups that surround them. They feel unconnected and uninvolved, as though they are drifting along on a search for something or someone who will give meaning to their lives. The characters try to give their lives meaning by performing gestures. Vivaldo, for example, wishes to signal his progressive credentials, so he proudly travels uptown to purchase the service of Black prostitutes. He considers this to be an act of solidarity, showing the world that he rejects racism. However, he never feels any connection to the women he visits. He performs a physical and financial transaction with them and then leaves, returning to the white part of town. Ida is not distracted by Vivaldo’s so-called solidarity. She describes to him how his behavior reinforces social alienation and oppression. Vivaldo’s behavior is an example of how he is so disconnected from the society that a proud antiracist gesture fails to consider the thoughts and feelings of the oppressed racial group. Vivaldo lacks empathy, which is why he struggles with his writing, why he struggles with the idea of oppression, and why he struggles with alienation. Like the other characters, he is disconnected from society and from those around him, unable to forge meaningful connections with people he truly understands. From Ida to Rufus to the uptown prostitutes, Vivaldo misinterprets or misunderstands every social interaction, leaving him unable to connect to the world he inhabits.

Social alienation is also illustrated in the lives of supposedly successful people. Richard and Cass seem to do everything society expects of them. They are nice, polite people who care about others, who raise two young children in a safe, familiar environment. Richard writes a successful book, and they move up in the world, enjoying the social mobility and the stable family life that society promises to people who play by the rules. But Richard and Cass are not happy. They have the adornments of success, but they take nothing from it, as they are alienated from their success and unable to enjoy it. Richard takes no pride in his work, knowing that he is not respected for his literary credentials. He accuses Cass of not respecting him, but really he does not respect himself. Likewise, Cass conducts an affair because she has become alienated from her husband just at the moment when he has given her everything she ever wanted. Richard wanted to be a writer and Cass wanted to support a loving family. Now that they have everything they wanted, however, they discover that their success is not rewarding. Success has no substance, as they are alienated from the society that has told them to pursue material wealth rather than anything more rewarding. Richard and Cass’s miserable marriage reveals the alienated disconnect between real emotions and hollow aspirations. Richard and Cass are so alienated from society that they do not know what will make them truly happy, so they pay a high cost to find out.

Ellis is one of the only characters who feels his life has purpose. He takes pleasure in being cynical, seeing the world on a transactional basis that allows him to succeed. He rejects the idea of art or fidelity; he uses his money and power to take what he wants from any people like Vivaldo or Richard. He may not consider himself alienated, but Ellis is a representation of the worst impulses of the alienated world. He is the product of society, completely unhindered by loyalty or obligations to others. Ellis may be happy, but he will never be satisfied, as his existence is a product of an alienated world that will never satisfy his urges.

Love and Jealousy

The characters in Another Country find that love and jealousy are closely entwined. Their struggles to understand and achieve true love often result in a jealousy of those who succeed. The relationship between Eric and Yves is one of the most loving in the novel, even though Eric is not always loyal to Yves. Nevertheless, their relationship provides the best template for a successful, loving relationship in the novel because both Eric and Yves are lacking in jealousy. Neither is jealous of anyone else’s love; Eric even recognizes that his brief affair with Cass is nothing like his love for Yves. Similarly, Yves’s arrival in the United States gives him a brief moment of concern, but he finds Eric there waiting to guide him through his new life. Yves appreciates Eric and Eric appreciates Yves, showing how their love is free of jealousy and based on mutual respect and support.

Love is not only a romantic endeavor. Ida is defined by her love for Rufus. When Rufus dies, Ida is profoundly affected. She swears that she will get revenge on the oppressive world that she blames for her brother’s death. She does not just hate people like Ellis; she bears a grudge against the people who Rufus loved but who did not love him back or understand him in equal measure. She accuses Vivaldo numerous times of failing to understand her brother; she is jealous of the time Vivaldo spent with Rufus and jealous of the love Rufus gave to Vivaldo, especially as she believes that Vivaldo squandered her brother’s time and affection. To Ida, love is viewed through a negative lens. She sees love as corrosive and damaging, making her jealous of people like Cass, who can view love in positive terms, even though she recognizes that Cass has problems of her own. Ida is pessimistic, however, and believes that she can never have what Cass has due to the color of her skin. Ida has internalized years of racist prejudice to the extent that she struggles to love herself. Really, she is jealous of Cass’s ability to ignore her own race and take it for granted, just as she is jealous of the time Vivaldo spent with Rufus that Rufus could have spent with her. Ida’s ideas of love and jealousy are so tightly entwined that she has trouble loving anyone.

Vivaldo is a jealous man but also someone who devotes himself entirely to the woman he loves. He claims constantly that he loves Ida more than anything. He loves her so much that he is willing to delude himself. Though he accuses her of having an affair with Ellis, he is willing to believe her when she denies this. Vivaldo is so desperate to love that he is able to put aside his natural jealously. This backfires for Vivaldo, as Ida lied to him about her time with Ellis. For once, Vivaldo’s jealousy was justified, but he was so desperate to love Ida that he was able to overcome his jealousy. In an ironic moment, Vivaldo’s jealousy and suspicion was justified on the one occasion when he was willing to ignore it. Ida’s confession shocks Vivaldo. This moment of brutal honesty actually gives him the unmentioned insight into the human character that he needs to complete his novel. By cheating on Vivaldo and justifying his worst suspicions, Ida gives Vivaldo exactly what he has been lacking or what he has been too delusional to understand. Vivaldo understands the intersection between love and jealousy, an insight that helps him to finally understand the world around him and—at last—create compelling characters for his novel. Vivaldo may not be happy but at least he understands the world better.

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