48 pages • 1 hour read
James BaldwinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The following morning, Cass is at home when she receives a telephone call from Ida, who asks her about Rufus’s whereabouts. Cass invites Ida to her house later that afternoon, as she expects Vivaldo to visit. After Ida accepts, Cass puts down the phone and intervenes in a fight between her two sons, Michael and Paul. Eventually, Richard wakes up and joins his family for breakfast. Later, Richard takes Michael and Paul to the cinema. Cass stays at home and reflects on the 12 years she has spent with Richard.
That afternoon, Cass bakes a cake to try and dispel her gloomy mood. With the boys at the cinema, Richard works alone in his study. Vivaldo arrives for lunch and complains that he was out late with Jane. He mentions that Rufus “just disappeared” (66) the previous night. They discuss Vivaldo’s complicated love life before Richard joins them, carrying the manuscript of his finished novel for Vivaldo to read. Ida arrives, complaining that she has been “scouring the city” (68) for Rufus. After seeing Rufus the previous evening, however, neither Richard, Cass, nor Vivaldo can tell Ida where her brother might be. They assure her that Rufus is, in all likelihood, “all right” (69). Ida is visibly upset; Vivaldo promises to help her find Rufus. Ida agrees to stay for supper and Vivaldo begins to see her as “terribly attractive” (71).
The next day, Cass goes for a walk after completing her daily chores. She watches her Puerto Rican neighbors and thinks about the changing demographics of the neighborhood. When she returns home, Richard tells her that Rufus’s body has been found. Cass is worried about Vivaldo, who is heading uptown to comfort Ida. Richard assures Cass that there was “nothing anyone could have done” (72), though he admits that he did not share her affection for Rufus. Richard could never forgive Rufus for abusing Leona; Cass cannot either, but she recognizes that Rufus must have been motivated by a “great pain” (73).
That Saturday, Richard stays home with the children while Cass and Vivaldo attend Rufus’s funeral. In the taxi, Vivaldo confesses that he worries that he is wasting his life. He talks about growing up in a tough neighborhood with an alcoholic father. While Cass listens, he shares a story about how he and his friends “picked up” (76) a young gay man and then forced him to perform sexual acts on them before beating him, taking his money, and leaving him on the cold cement floor of a garage. Vivaldo does not know if the man survived, and he wonders if he is “still the same person who did those things” (76). The story prompts Cass to think about Richard and his modest talent as a writer. Vivaldo feels a solidarity with the poor African American communities, who grew up in the same impoverished conditions that defined his own childhood, even if Rufus’s family blamed him for Rufus’s death. They arrive at the church for the funeral service, but Cass realizes that she cannot enter without a hat. She sends Vivaldo inside while she goes to purchase anything to cover her head. In a rush, Cass purchases a scarf and takes a taxi back to the church. By the time she arrives, the service has started. People turn to watch her enter. Friends, neighbors, and family members share stories about Rufus’s life. After the service, Cass and Vivaldo hail a taxi. They talk a little about Ida. Vivaldo admits that he likes Ida, and he believes he can “help her forget” (84) her pain. Cass feels a heavy cloud of depression descend upon her.
The following March, Vivaldo struggles to write a novel. He plans to meet with Ida to visit Richard and Cass; they will celebrate the publication of Richard’s book. Until then, Vivaldo watches passersby through his window. The way he imagines their lives unfolding makes him think about his place in the world. Unlike the lovers he imagined in the nearby rooms, he thinks about the way he used to visit prostitutes in Harlem. Though he assured himself that this had been a dangerous and controversial act of solidarity, his actual experiences were “banal indeed and might have befallen him anywhere” (89). The African Americans he encountered recognized his patronizing pursuit of meaning, as did Rufus. Now, Vivaldo wonders whether Rufus actually hated Vivaldo because he was white and whether Vivaldo “feared and hated” (89) Rufus because he was Black.
Vivaldo lays on his bed and thinks about Ida. She was 14 years old the first time he met Rufus’s sister, when Rufus invited Vivaldo to accompany him and Ida on a day out. Vivaldo wonders about Ida’s memory of the same day now that she is seven years older. As much as he wants to finish his novel, he wants Ida to love him. Later, they meet. Vivaldo notices that she seems more relaxed than usual and happier to see him. He notices the way people stare at Ida, with a mix of envy and contempt, and how they stare at him when he is with her. They pass through the “small clouds” (96) of hostility, talking about religion and Richard’s novel. Vivaldo is excited at the prospect of finally dating Ida properly, though she seems more hesitant.
When Vivaldo and Ida arrive at the celebratory meal, Cass warns them that “everything’s gone wrong” (98). While Richard deals with his rambunctious, misbehaving son, Cass offers drinks to Vivaldo and Ida. Other guests are expected to arrive later, including famous television producers, writers, and Richard’s editor. They discuss Richard’s book and its imminent publication. Cass reveals to Vivaldo that their friend Eric is returning home having secured a role in a Broadway show. Ida offers to help Cass in the kitchen while Richard and Vivaldo talk. During lunch, the group drink champagne in preparation for the evening’s party. After lunch, Vivaldo and Ida dance while Richard and Cass get ready.
The guests arrive for the party. Ida encourages Vivaldo to talk to Richard’s agent, Barbara Wales, and his editor, Loring Montgomery. Vivaldo is surprised by the blunt honesty of Steve Ellis, the TV producer who is considering an adaptation of Richard’s book. Ellis flirts with Ida and accuses Vivaldo of being a stereotypical “sensitive young man” (107). After initially taking offence, Vivaldo decides that the successful TV producer may be right. Vivaldo realizes the importance of talking to the editors, agents, and producers if he wants to be successful, but he feels a sudden urge to leave with Ida. When she is hesitant to leave, he implies that she encouraged Ellis’s flirtatious behavior rather than telling her the truth. Ida is offended, and to spite Vivaldo, she resumes her conversation with Ellis. Vivaldo does not dare intervene. Instead, he talks to Cass and a young writer named Sydney Ingram. They discuss Ingram’s next novel, a “love story” (110) set in New York City. Realizing that Ida is not there, Vivaldo searches for her and finds her crying in the bedroom. She accuses Vivaldo of seeing her as a prostitute, just like the other white men she has known. Vivaldo profusely apologizes and insists that he loves Ida. She eventually accepts his apology, and they decide to leave the party.
The next day, Ida sleeps while Vivaldo lays in bed and thinks about how she deliberately distances herself from him. He cannot help but think about her previous lovers, wondering about their number and their race. She wakes up and they talk about their relationship. He confesses to her that he visited African American prostitutes before; as they have sex, he notices that she is reacting differently to his touch. After, she goes to the shower and Vivaldo falls asleep. When he wakes up, he discovers that she has cleaned his apartment and begun making coffee for them both.
Chapter 2 describes Rufus’s funeral. The service is a pivotal moment in the lives of the characters left behind. Vivaldo and Cass attend, paying respects to a man they never truly understood during his lifetime. They wrestle with Rufus’s complicated legacy, including his abusive behavior and the behavior that endeared him to them. However, they never quite come to a conclusion about the meaning (if there is any) of Rufus’s death. They only view the incident through the lens of how it affects them. Vivaldo views the funeral as a comment on his own life, worrying that he is wasting his time trying to pursue a career as a novelist. Meanwhile, Cass wonders about her status as a white woman in society as she begins to realize that she inhabits a different world to the other people at the funeral. Rufus’s death is too confusing and complicated for Vivaldo and Cass to process on its own terms. As such, the service becomes a learning opportunity for them. Once again, the complexity of Rufus reduces him to punctuation in the lives of others. Unable to assert himself as a person in his own right, his life and his death offer significant moments of insight for other people but never himself.
Vivaldo’s role in the novel is to represent social alienation from the perspective of a white man. Unlike Rufus and Ida, Vivaldo does not know the reality of racist discrimination or abuse. Unlike Eric or Rufus, Vivaldo has no real understanding of anything other than heterosexuality (at this stage of the novel, at least). Unlike Ida or Cass, he has no understanding of what it means to be a woman in a misogynistic, patriarchal society. As such, Vivaldo is detached from the world and detached from those around him. He compares loving relationships and antiracist activism to his habit of visiting African American prostitutes. While Vivaldo believes this habit makes him a progressive figure in the fight for equality, he cannot comprehend how this might appear to others. He struggles to empathize with people who suffer from prejudices and discrimination that are alien to him. Despite this, Vivaldo wants to be a novelist. He is not successful, and he is not satisfied with his characters for this exact reason. Vivaldo’s lack of empathy means that he cannot construct fully-realized, nuanced characters. His alienation manifests in the form of his alienated fiction, which he unwittingly creates as a commentary on society and himself.
Vivaldo’s frustrations are also evident in his relationship with Ida. He cannot comprehend why she keeps herself distant from him, unable to understand why her brother’s tragic death might create a tension between Ida and Rufus’s best friend. Nevertheless, Vivaldo feels entitled to Ida as a changing, transformational figure in his life. He relies on her to teach him about race and racism in society, placing the burden of his development on the mourning sister of his dead best friend. Vivaldo’s inability to empathize with others is shown through his sense of entitlement. Even as Ida struggles with her own grief, even as she pursues her own career, Vivaldo wants to use her to inform his own understanding of racism.
By James Baldwin
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