47 pages • 1 hour read
Michael MorpurgoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The Chapter 2 Summary contains depictions of antisemitism, and the Part 1 Analysis discusses antisemitism and the Holocaust.
Lizzie is an 82-year-old patient in a nursing home, where she has lived for about a month. She does not like the nursing home, but she is fond of her nurse. The nurse knows very little about Lizzie except that she lived by herself before coming to the home in poor physical condition; she is frail, pale, and undernourished. Lizzie seems to have no family, and her speech is formal and precise, as if English were not her first language.
Lizzie’s nurse is a single parent who works part-time at the nursing home while raising her nine-year-old son, Karl. When she has no one to look after Karl, he goes to work with her, where he plays outside with friends or visits the patients. One day he wanders into Lizzie’s room, meeting her for the first time, and they chat like old friends. Lizzie is amazed that his name is Karl and that he looks so much like “him.” She tells Karl that an elephant once lived in her garden. When Karl’s mother later explains that Lizzie is confused and there was no elephant, Karl protests: “If [Lizzie] says she had an elephant in her garden, then she did” (9). His mother wonders if Karl is right.
The following day is February 13, a date that makes Lizzie sad and evokes fragmented memories of “little Karli,” the freezing cold, a wind “from the fires of hell” (14), and trees that are frightened and cannot run away. Karli was her little brother, she explains, and Karl closely resembles him. Lizzie then describes the events leading up to the first time she saw the elephant in her garden.
Lizzie decides to call Karl “Karli” so that he will be “inside the story” she tells to him and his mother (18). She begins with a description of her family and their home in Dresden, a house with a walled garden that opened onto a public park. Lizzie, born on February 9, 1945, was called Elizabeth then, her mother “Mutti,” and her father “Papi.” The elephant was named Marlene after Mutti’s favorite singer, Marlene Dietrich. One of Karli’s legs was shorter than the other and he had asthma, but he was a happy little boy and the family’s clown. His and Lizzie’s early childhood is filled with music, picnics, and lovely summer trips to Aunt Lotti (Mutti’s sister) and Uncle Manfred’s farm.
The trips to the farm end after Hitler rises to power in Germany; one night at the farm in the summer of 1938, Lizzie’s mother and Lizzie’s aunt and uncle quarrel about Hitler, rupturing family ties. Bitter about Germany’s humiliating defeat in World War I and “how people starved in the streets after the war” (25), Manfred blames the post-World War I government in Berlin and “the Jews” for betraying Germany; Hitler, he says, is restoring German pride and “putting things right” (25). Mutti calls Manfred a fool and Hitler a madman, reminding Manfred that the family has many Jewish friends and predicting that Hitler will ruin the country. The following morning when Lizzie and her family go home, she knows that the days of “sunshine and laughter” at the farm are over (22).
As a child, Lizzie is semi-aware of life in Germany under Hitler, especially for the Jews, who are persecuted daily. She hates the injustice and cruelty she sees inflicted on them, but her family does not discuss such things; as Papi says, “[Y]ou never know who’s listening” (24). The war only truly becomes a reality for Lizzie a year after leaving the farm, when Papi comes home in a German army uniform and says he is being sent to France.
After Papi goes to war, Mutti takes a job at the zoo. Initially, Papi comes home on leave every few months, but these visits eventually stop, though Mutti sometimes receives letters from him. She reads his letters to Lizzie and Karli every evening at bedtime. She and the children hold hands and think of Papi in what Mutti calls a “family moment.” She places each of his letters behind a picture of Papi on the mantlepiece, which serves as “an altar to his memory” (30).
As the war drags on, it is clear that Germany will lose. The Russian army is invading Germany from the east, and the Allies are advancing from the west. Refugees flood into Dresden, and food and fuel become scarce.
Sad, angry, and afraid, 15-year-old Lizzie feels “hollow inside,” withdraws from her family and friends, and often blames Mutti for her despair. She resents Mutti’s love and concern for Marlene, an elephant who is grieving the death of her mother; Lizzie feels that Mutti cares more about Marlene than her and Karli. After Lizzie expresses her anger and resentment to Mutti one evening, Mutti shares her fears about the war and how it threatens those she loves. Lizzie then regrets her “cruel words” to her mother, and she and Mutti cry together, “opening [their] hearts to each other” (38).
Mutti also tells Lizzie something so terrible she cannot stop thinking about it: Dresden will likely be bombed, and when that occurs, the zoo will shoot its animals so that they do not escape into the city. Mutti cannot bear the thought of Marlene being shot. Lizzie is deeply frightened. Comforting her, Mutti reminds Lizzie that the air-raid sirens and their bomb shelter will protect them, and she promises that Marlene will survive too. The next day, Mutti tells Lizzie, “I have had an idea […] in the night, a wonderful idea, a grand idea. A secret” (42), but she does not reveal what it is.
Part 1 introduces all the major characters except Peter Kamm and establishes the relationships among them. Lizzie’s nurse and her son, Karl, are quite fond of Lizzie, and Lizzie trusts them enough to share the story of her past. Lizzie especially delights in Karl, who reminds her so much of her little brother, Karli, as a child. Lizzie’s tender memories of Mutti, Papi, Karli, and their lives before the war flesh out the relationships within Lizzie’s family.
Lizzie telling Karl that an elephant once lived in her garden is the inciting incident that leads to her narrating the story of her life. Chapter 1 raises more questions about Lizzie than it answers. For example, it is unclear why Lizzie lived alone before coming to the nursing home, exhausted and undernourished, and why no one comes to visit her now. Lizzie’s manner of speaking suggests English is not her first language, but there is little indication of where she was born. Most notably, there is the question of whether there really was an elephant in Lizzie’s garden, or whether she is simply confused in her old age. The questions serve as a narrative hook to keep readers engaged as Lizzie’s story unfolds.
Part 1 also establishes the novel’s frame structure, which includes two first-person narrative points of view. Lizzie’s nurse narrates the story of Lizzie as a frail, elderly patient at the nursing home and describes how Lizzie interacts with her and Karl. Speaking as Lizzie’s nurse and Karl’s mother, her narration offers insights into Lizzie’s and Karl’s characters and their developing friendship. The first-person point of view shifts each time Lizzie narrates the story of the past, beginning in Chapters 2 and 3. Lizzie’s memories of herself as a child in Dresden begin to reveal depths to Lizzie’s character that her nurse could not know.
Lizzie’s memories in Chapters 2 and 3 place the novel in the historical context of Germany from the 1930s to 1945. Mutti’s bitter argument with her sister and brother-in-law partly explains Hitler’s rise to power in 1934. Manfred recalls Germany’s “humiliating defeat” in World War I and the starvation that followed—an allusion to the results of the sanctions that the 1919 Treaty of Versailles imposed on Germany. Manfred, like millions of Germans at the time, sees Hitler as a strong leader who will rebuild the economy and restore Germans’ pride. Mutti predicts that Hitler will lead Germany into war, which he did on September 1, 1939, by invading Poland—the beginning of World War II in Europe.
Lizzie’s memories of Jews persecuted in Dresden reflects the deep and pervasive antisemitism of the Third Reich even before the Holocaust: “I saw the Jews in the streets, with their yellow stars sewn onto their coats. I saw their shops with the [S]tar of David daubed in paint all over the windows […] I saw them beaten up by Nazi stormtroopers and left to lie in the gutter” (24). However, it is notable that the book does not glamorize the Allies, instead depicting war as a horror for everyone involved. In Chapter 3, Mutti references the bombing of Berlin, Hamburg, and Cologne; the Allies bombed all three cities throughout the war, beginning with the bombing of Berlin in 1940 by the Royal Air Force. Mutti also says that Dresden will be bombed, foreshadowing events in Part 2.
By Michael Morpurgo
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