38 pages • 1 hour read
Bret Easton EllisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
At a nightclub, one of Bateman’s colleagues hears three models discussing fashion and wonders out loud whether he is “really hearing an actual conversation” (195). This is a question that could be asked at numerous times in the novel. All the characters, and especially Bateman, are obsessed with fashion and brands. In fact, mere listing of brands can substitute for conversation entirely. This is seen when on a cab ride, McDermott, Courtney, and Patrick “each try to list as many brands” (237) of bottled water. Bateman meticulously notes what make of suit, shoes, or dress an individual is wearing. This often acts as a substitute for other types of description or characterization. The facial features, for example, of Evelyn, Courtney, Price, and McDermott are scarcely mentioned. Their clothes always are.
Bateman’s meeting with his mother exemplifies this impoverished way of looking at the world. They are unable to express anything other than banalities to each other. He nonetheless notices that “she sits on her bed in a nightgown from Bergdorf’s and slippers by Norma Kamali” (351). His way of relating to his aging and possibly dying mother is entirely mediated by brands. Likewise with his dead father. Bateman looks at a picture of him on his mother’s bedside table and only comments on what clothes he is wearing and the fact that they are “all by Brooks Brothers” (352). Thoughts about who his father was or what he meant to him are absent. The focus on brands has replaced any other form of reflection or relationship.
In bed with Courtney, Bateman observes that “I can barely see her face in the darkness but hear the sigh, painful and low, the sound of a prescription bottle snapping open” (346). Like most of the characters, Courtney is heavily dependent on drugs, which serve as a substitute for real human interaction or a way of coping with their absence. This is symbolized by Bateman being unable to see Courtney’s face but hearing the bottle open. Evelyn “is addicted to Parnate, an antidepressant” (23). She snaps open her pills to cope with Patrick leaving her. Even Bateman’s mother, the reader is told, is “heavily sedated” when he meets her (351).
Bateman’s addiction seems worse. He describes an experience at a nightclub after taking cocaine: “I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons” (104). The drugs, which he uses to cope with reality, contribute to his deteriorating mental health. After “taking Sominex by the hour” he tries to eat and cook the remains of a woman (330). Drugs play a role in his hallucinations as well as his increasingly bizarre behavior. Furthermore, they serve as a metaphor for one of the problems of consumerism. While the reader is encouraged to believe that their consumption of products is a free and rational choice, in many cases, like the drugs in American Psycho, those choices are what keep people hooked to a certain way of thinking and acting.
Bateman discusses in elaborate detail the iconic bands and artists from the period. There are entire chapters devoted to Genesis, Whitney Houston, and Huey Lewis and the News. The reader has insight into how music of the 80s differed from music of the 1960s and 70s. As Bateman notes, about one of Huey Lewis and the News’ albums, “it took something like a hundred people to put Small World together” (345). Music of that time was heavily produced and filled with electronic and artificial sounds, such as synthesizers and drum machines. This was in stark contrast to the “natural” and simple aesthetic of the 70s. Patrick very much embraces this. Listening to this music represents one of his only true joys and passions in life.
However, 80s music also has a negative impact on Bateman. This is shown by his admission that “lyrics to Madonna songs keep intruding, bursting into my head, announcing themselves in tiring, familiar ways” (368). Music can sometimes provide a soothing backdrop to ordinary life. Equally though it can, like culture, intrude. Music, for Patrick, can be a way of controlling his emotional world while also signifying a loss of control.
By Bret Easton Ellis