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48 pages 1 hour read

Judith Ortiz Cofer

American History

Fiction | Short Story | Adult | Published in 1993

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Character Analysis

Elena

Elena is a 14-year-old Puerto Rican girl who lives with her parents in El Building—a tenement in Paterson, New Jersey. Elena dislikes both her school and the city in which she lives. She is an only child. Elena’s mother, a devout Catholic, is usually home with Elena during the day, while her father works a late shift at the blue jeans factory in Passaic until midnight. Her parents talk frequently about their plans for the future, including her father’s wish to buy a house in a Passaic suburb, and their memories of Puerto Rico. Elena has visited Puerto Rico only when her maternal grandmother died, but her extended family remains there.

Elena is bilingual, understanding both Spanish (her first language) and English. She attends P.S. 13, a large and overpopulated Paterson school, where she is a straight A student. She describes her pubescent body as skinny and flat-chested; her nickname at school is “Skinny Bones.” Elena is bookish, dreamy, sensitive, and interested in love. She has just started menstruating. As she develops into a young woman, she nurses a crush on a boy named Eugene, who has just moved in next door. Despite being a rather modest girl, Elena introduces herself to Eugene, though she worries about being rejected. Her bold expression of interest contrasts with her mother’s ideas about how a young woman should behave. 

Eugene

Eugene is a Georgia-born white boy whose family has just moved into a house next to Elena’s tenement. Eugene’s house, Elena notes, is “the only [one] on the block that [has] a yard and trees” (20). Like Elena, he is an only child, reads incessantly, and feels like an outsider in Paterson. The fact that Elena and Eugene share the same first initial further illustrates their commonality, despite their differences in race, ethnicity, geographical origins, and class. Eugene is “tall and blond” and wears glasses (20). He is shy. Elena describes his Southern accent, which makes him an object of taunts in Paterson and earns him the nickname “the Hick,” as “beautiful” and notices the way that his voice rises and falls over his words “in a strange, lilting way” (23). While Eugene attends honors classes, Elena cannot, due to English not being her first language. Nevertheless, they spend time together at the library, walk home together, and trade notes on books. Unlike both Elena’s parents and the old Jewish couple, Eugene’s family never sits at the kitchen table together, but Elena fantasizes about sitting there with him like a husband and wife.

Mr. DePalma

Mr. DePalma is the physical education and science teacher at P.S. 13. He is “a short, muscular man with slicked-down black hair” (23). He acts as the school’s disciplinarian, breaking up fights and calling conferences with the parents of troubled children. Mr. DePalma also manages the homeroom for students with reputations as “troublemakers.” On the day that President Kennedy is shot, Mr. DePalma sobs uncontrollably; when his students recoil from and then laugh at his blubbering, he angrily calls the students “idiots” and “losers” before sending them home an hour early. Mr. DePalma’s inarticulate and mean response to the students is a reminder of the limitations of adults—even those tasked with caring for children—when they experience grief. Mr. DePalma’s reaction may also reflect his personal prejudices. Cofer refrains from identifying the race of characters who do not have an identity that places them outside of the mainstream (e.g., the elderly Jewish couple). Thus, the reader can infer that Mr. DePalma is white, but he teaches in the predominantly Black and Puerto Rican P.S. 13.

Elena’s Mother

Elena’s mother lives with her husband and daughter in their apartment in El Building. Like Elena’s father, she is a native of Puerto Rico. She and her husband want to move out of the tenement and into a suburban house. They also dream of buying a beach house in Puerto Rico, where they hope to retire. Elena notes that her mother is unhappy in Paterson. Since Elena began menstruating, her mother has also become preoccupied with her daughter’s sexuality, growing particularly worried when she observes Elena’s interest in Eugene. She lectures Elena about “virtue, morality, and other subjects” that are of no interest to her daughter (22), who has absorbed the era’s changing sexual mores. Elena and her mother’s respective connections to Puerto Rico likewise create distance between them, since Elena only knows her ancestral homeland through her limited memory and imagination.

Eugene’s Mother

Eugene’s mother is “a red-headed tall woman who [wears] a white uniform” and works as a nurse at St. Joseph’s Hospital (20). She lives with her frequently absent husband and her only child, Eugene. Like Elena’s mother, Eugene’s mother is unhappy in Paterson, which she moved to for the sake of her husband’s job.

When Elena visits Eugene’s house and his mother opens the door, she sees the woman up close for the first time. She observes her “red, swollen face” and “smudged eye makeup” (26)—signs that she has been crying in the wake of Kennedy’s assassination. Elena also notices her “halo of red hair,” her freckles, and her “delicate ivory face” (26), which reminds Elena of a doll. The delicacy of the woman’s looks and of her “tiny and sweet-sounding" voice jarringly contrasts with her hostile response to Elena (26); she flatly refuses to invite Elena into her home, forbidding her son from studying with Elena. Though she insists that her rejection is “not personal,” she expresses disgust after Elena tells her that she lives in El Building. Elena contrasts the woman’s “honey-drenched voice” with Eugene’s “softer version” (28); despite the sweet sound of her Southern accent, there is a hard edge to the woman’s tone that likely reflects prejudice.

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