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69 pages 2 hours read

Bryn Greenwood

All the Ugly and Wonderful Things

Fiction | Novel | Adult | Published in 2016

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Part 5, Chapters 1-8Chapter Summaries & Analyses

Part 5

Part 5, Chapter 1 Summary: “Renee: September 1987”

Wavy’s college roommate observes that Wavy does not look like an adult. She complains to her RA about the 12-year-old assigned to her room, only to find out Wavy is 18. Soon Renee finds Wavy oddly compelling, if quiet. Renee manipulates new friends by pretending her best friend died in high school. Wavy takes no interest in Renee’s pretend shrine, but Renee starts to acclimate to Wavy’s behavior.

When Renee discovers Brenda—visiting for Parents’ Weekend—rifling through Wavy’s belongings and finding Kellen’s photo, she tells Wavy about it. Wavy checks to make sure the picture is still there. Renee asks, so Wavy tells Renee Kellen is her fiancé and that he is in prison. When she asks if Wavy’s parents will be visiting her, she finds out they have been murdered. She realizes she will be taking down her pretend grief shrine. Though Renee sees Wavy at first as a curiosity—a good story—they become close the next year. When Renee goes through a difficult breakup, Wavy resurrects her old behavior of stealing food, breaking into the cafeteria kitchen late at night and setting out pudding, cake, and ice cream for Renee.

Part 5, Chapter 2 Summary: “Wavy: November 1988”

Wavy takes romance quizzes from magazines with her roommate Renee. Unlike the women from the ranch, Renee does not condescend to Wavy. Wavy talks about missing Kellen, especially watching him eat. She notices the way Renee eats—“darting little bites” (269)—and reflects that Renee conducts herself emotionally in that same manner, never able to satisfy her heart. When she visits Renee’s family with her at Thanksgiving, she is struck by the contrast between their wealth and their frantic way of eating, as though they were stealing the food. Wavy herself has stopped eating that way.

At the Dales’ home, Wavy sees how Renee’s mother peppers her with questions about her love life while refilling her plate with more food. After conversation, Mrs. Dale suddenly brings up Renee’s weight. Wavy thinks of her own mother’s behavior of turning anything good or beautiful into something dirty. Later, she writes to Kellen, knowing he will not see the letter. For her own pleasure, she describes eating mashed potatoes and pizza, remembering the way Kellen ate in front of her. She admires Kellen’s deliberate action and focus, a contrast to the Dales. She remembers that he kisses the same way. She thinks of him far away from her in prison but imagines how close they would appear from a great distance.

Part 5, Chapter 3 Summary: “Renee: April 1989”

Renee observes Wavy writing not just to Kellen but to family and friends. Wavy uses a manual typewriter to write to her lawyer, and her typing strikes Renee as violent. Wavy writes to her lawyer regularly as part of her battle with Brenda over the use of the trust fund Kellen left Wavy. Brenda uses the money to maintain control over Wavy.

Wavy looks for Donal, writing to Sean’s parole officer, former neighbors, and anyone else who might have a clue as to their location. Renee describes Wavy’s dedication with wonder and admiration. However, it’s the letters to Kellen that move Renee the most—the way they come back, unread, like “a note in a bottle” (272).

Part 5, Chapter 4 Summary: “Kellen: June 1989”

After Wavy does not attend his second parole hearing, Kellen fully believes he has lost her. He knows she is over 18, so he assumes she freely decided not to see him. When his parole comes through, he moves to a halfway house. Once his time there ends, he struggles to find a place to live and has to file his address with the sex offender registry. He keeps having to move when his neighbors object, either attacking him or vandalizing his apartment.

One night, two men attack Kellen in an alley. A woman runs them off by saying she has called the police. Kellen runs into her again a few times, fixes her car, and has dinner with her. Beth shows Kellen the first kindness he has known since prison, but that kindness turns out to be limited and dry. He moves in with her, but she talks down to him. His situation worsens after he explains his conviction to Beth, but she does not ask him to move out. Kellen realizes he can’t let go of Wavy’s memory, but he stays with Beth out of desperation.

Part 5, Chapter 5 Summary: “Renee: May 1990”

Wavy’s campaign to leave the dorm succeeds, and she and Wavy move into an apartment. Renee convinces Wavy to have a party. While she understands Wavy dislikes social interaction, she knows Wavy shows affection by cooking for people since Wavy treats each of Renee’s breakups as an occasion to make an enormous meal.

At the party, Renee meets someone Wavy has invited from the hospital where Wavy works doing insurance billing. Wavy meets someone from one of Renee’s classes, and Renee celebrates, observing that Wavy is “coming out of her shell” (278). Renee had been interested in Joshua for herself, but she now expresses equal joy that Joshua takes an interest in Wavy. However, when he comes to visit Wavy days later, Wavy refuses to see him. Renee begins to understand that Wavy’s behavior comes from actual trauma, removing some of the glamor tragedy has long held for Renee.

Part 5, Chapter 6 Summary: “Wavy”

Wavy resists Renee’s attempts to draw her out into the living room when Joshua visits, but in the middle of arguing with her, she leaves her room and goes to the kitchen to retrieve Darrin’s phone number (the man Renee met at the party). Wavy implies that Renee is avoiding relationships out of fear. They make a deal: Renee will call Darrin if Wavy talks to Joshua. Renee asks Wavy how she can possibly know if Kellen even still wants her. Wavy goes to talk to Joshua, ruminating on Renee’s question. She conducts a stilted conversation while Renee goes to pick up the mail in a ruse to leave the couple alone together. Renee returns abruptly and calls Wavy to the kitchen.

Part 5, Chapter 7 Summary: “Renee”

Renee finds another returned letter in the mailbox, but this time the envelope has a stamp reading “Released.” Renee seizes the moment, hoping for a true love reunion. She brings the letter to Wavy, at which point her excitement overflows. Renee swings into action, making long-distance phone calls and reveling in the phone bill “Mrs. Brenda Newling” would see (284). The women nearly ignore the now-irrelevant Joshua. Once Renee extracts an address from the parole board, she explains to Joshua that Wavy is engaged and on her way to see her fiancé.

The women drive to Wellburg, where Kellen lives. Renee’s picture-perfect reunion scene dims a bit when she sees Kellen’s unattractive apartment. She also wonders if Wavy will leave and move in with Kellen. However, she forgets to feel sorry for herself when she sees Wavy watching Kellen.

Part 5, Chapter 8 Summary: “Wavy”

The rain stops and the sun comes out when Kellen answers the door and sees Wavy. The lovers retrace all their former movements, but this time, Wavy starts by standing on a chair to make herself taller than Kellen. She holds his face in her hands and says “Orion” as she reaches for his belt, as she has done since she first touched him. The sex is so painful for Wavy that Kellen realizes she is still a virgin, having waited for him. Kellen reacts with confusion, confessing that when Wavy didn’t come to his parole hearing, he assumed she wanted nothing to do with him. He asks Wavy what he should do, knowing he might go back to prison just for being in the room with her.

The moment Kellen sees she still wears his ring, Beth walks into the apartment. Wavy realizes she has come into Kellen’s “home.” As Kellen jumps up to dress, she asks Kellen if he loves Beth, and he immediately says no. Wavy stands naked in front of Beth, but she shows no embarrassment or apology when she introduces herself. She realizes Kellen has not told Beth about her.

Part 5, Chapters 1-8 Analysis

In college, Wavy finds more socially acceptable models for behavior. However, even among the middle- and upper-class students and professionals, Wavy notices desperation—sometimes the same fears and inadequacies she recognized in the residents of the ranch and in her own family. Her roommate Renee makes terrible choices and struggles with self-acceptance; when Wavy meets her family, she understands that while Renee might not have suffered the same kind of abuse, her behavior has its roots in a mother who manipulates her child.

Wavy’s choice of study, astrophysics, connects to her love of constellations and her habit of turning to the night sky as a place of safety. Astrophysics also reflects her effort to gain perspective: to think beyond the next five minutes or five seconds toward a bigger future, even to some kind of historical arc. Having escaped her early life of bare survival, Wavy can plan. She can see things from a distance, making them manageable. Her developing confidence and maturity manifest in the way she goes about disentangling herself from Brenda; rather than fighting or running, she works within the system to take control of her own life. This willingness to use the very institutions that have failed her will serve Wavy well in her efforts to have the no-contact order keeping her from seeing Kellen rescinded.

Renee struggles to grasp how different Wavy’s context must necessarily be from her own romantic sensibilities. In this way, Renee stands in for the reader, who may still be uncertain what to hope Wavy will do. Renee will ultimately come to see what drives Wavy individually rather than pigeonholing Wavy within her own traditional romantic narrative. Her efficiency in tracking down Kellen’s address and helping Wavy get to him mirrors Brenda Newling’s doggedness. This time, though, the effort comes from a place of love and understanding rather than the impulse toward fear and revenge. The ensuing reunion does conform to some of Renee’s romantic sensibilities, with the weather mirroring the couple’s joy. However, it continues to play with traditional tropes as Wavy stands on a chair to make herself “the Giant”—her early nickname for Kellen. The action highlights Wavy’s new self-assurance, but in harkening back to the moment of Kellen’s crash, the reference also reminds readers that Kellen’s vulnerability is not new and that Wavy demonstrated agency in saving him during that first encounter.

In all of Part 5, with one brief but necessary exception, the narrative remains in the voices of those who love Wavy: Renee, Amy, Kellen, and Wavy herself.

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