48 pages • 1 hour read
Anne TylerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Linnie Mae Whitshank throws blue paint at the Bouton Road house in a moment of anger. Though her husband, Junior, considers all the ways to get rid of the paint, he admits to himself that “[really] the blue would never come off, not completely” (439). The paint is symbolic of the “common” stain of humble beginnings that both he and Linnie Mae hail from. Junior wants more than anything to erase his country origins, so the fact that the blue paint, which he considers a common color (Swedish Blue), will never be completely cleaned off the house is a personal defeat for him. It also symbolizes that people, can’t outrun their past.
The spool of blue thread, from which the book’s title takes its name, represents connection. After Abby Whitshank’s death, her son Denny looks for thread to repair his father’s shirt. The exact color of thread needed falls into his hands, unsettling him: “I almost imagined that she was handing it to me. Like some kind of, like, secret sign” (456). Denny suggests that his mother reached out to him from the afterlife as a symbol of forgiveness. Abby, therefore, represents a connection that’s threaded through her family’s lives, both in life and in death. Thread itself is an item that binds things together, and the image of blue threads mirrors blue blood as it courses through one’s veins, illustrating a literal idea of familial ties.
The Whitshanks’ house on Bouton Road is often described in anthropomorphic terms. In Chapter 3, for instance, Red mentions that “the heart goes out of it” (92) when houses are left idle. The house symbolizes the family’s desire to be stable and well-built, like a house. It’s also symbolic of the family’s togetherness as a cohesive unit. The house can also be viewed as the largest ghost in the narrative, a behemoth haunting the family with each new generation. When the house is finally put up for sale, the Whitshanks have begun to free themselves of the house’s hold.
Abby’s piece of pottery is of a brightly-colored house. She takes pride in the work, though she doesn’t remember how she came by holding it due to blackouts from dementia she’s been having all year. When she shows her family the pottery, they smile and nod “too brightly, like parents admiring a piece of art that a child has brought home from nursery school” (163). Abby’s bright, childlike pottery symbolizes the Whitshanks’ custom of ignoring their family problems. Instead of getting to the root of things, they put on a bright, brave veneer and pretend that everything is cheerful.
By Anne Tyler