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96 pages 3 hours read

Fredrik Backman

A Man Called Ove

Fiction | Novel | Adult | Published in 2012

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Chapters 19-21Chapter Summaries & Analyses

Chapter 19 Summary: “A Man Called Ove and a Cat That Was Broken When He Came”

Back in the present, Ove argues with Parvaneh that he won’t keep the cat in his home. However, he loses the argument and takes care of the cat, even though he insists, “I’m not running a cat repair company” (151). The next day, Ove takes the cat with him on his morning walk. Since there is still snow outside, he has little socks for the cat to wear (provided by a veterinarian friend of Parvaneh’s), which Ove thinks ridiculous: “A cat wearing socks—it can’t be natural” (151).

Ove brings the cat with him to the florist’s where he buys Sonja’s usual flowers for her grave. The cat proves to be an obnoxious creature. For instance, when Ove tries to get it to sit on newspapers in the car to spare the Saab’s seat, it keeps pushing them off. The cat also licks Ove’s steering wheel and seatbelt while he’s in the florist shop. To prevent further damage, he brings it outside with him to Sonja’s gravestone.

He tells Sonja: “‘This is the Cat Annoyance. It’s living with us now. Almost froze to death outside our house. […] He looked like that when he came,’ he clarifies, a sudden defensive note in his voice” (151). He knows Sonja would disapprove of his mistreating the cat. While he may not be accountable to anyone else, he is still accountable to her and considers her wishes.

The chapter ends on a touching moment with Ove telling Sonja he misses her and the cat coming up to gently rest its head in the palm of Ove’s hand—a gesture of comfort.

Chapter 20 Summary: “A Man Called Ove and an Intruder”

Instead of maintaining the pattern of juxtaposing between the past and present, Chapter 20 remains in the present—but takes a backward look. It starts with Ove and the cat arriving at home. Ove is shocked to see that Rune and Anita’s garage door is open, which it normally never is.

A brief look at the past makes it clear just how close Ove and Sonja were to Rune and Anita. Of course, it was Sonja who pushed Ove to be friendly with Rune: “He had a proper job and he didn’t talk more than he had to. Admittedly he did drive a Volvo but, as Ove’s wife kept insisting, this did not necessarily make a person immoral” (155). Anita and Sonja were pregnant at the same time, and sometimes the couples would dine together. When Ove and Sonja married, Anita and Rune were witnesses.

In having provided this backstory, the narrative flashes back to the present. A journalist, Lena, is at Ove’s house when he arrives. She wants to interview him about how he saved the man’s life on the train platform yesterday, but he rebuffs her.

The sight of the white Škoda (the car driven by the council people) interrupts Ove’s interaction with Lena. A man prepares to drive the car through the neighborhood, but Ove stands in the way, telling the man he’s not permitted to drive here. The man says he has special permission from the council. Ove asks what the man is doing there, and he responds that he’s there to take Rune into care. Ove replies, “And if Anita doesn’t want that?” (160). The man tells Ove that it’s up to “the investigation team” (160) and not Anita. The man looks at Ove as if what “[he] had said was nothing more than the inarticulate raving of a senile old man” (160).

The man then unexpectedly addresses Ove by name. This appalls Ove, who asks how he knows his name. The man responds, “I know a lot about you” (161). The Škoda drives off, leaving Ove defeated. Humiliated, Ove bypasses Lena and goes inside. He notes that the council people haven’t been there since he and Sonja returned from Spain, “after the accident” (162).

Chapter 20 concludes with an implicit promise to finally reveal what happened to Sonja. Although it is more than halfway through the book, the reader still doesn’t know the mystery of why she was in a wheelchair. 

Chapter 21 Summary: “A Man Who Was Ove and Countries Where They Play Foreign Music in Restaurants”

Chapter 21 provides an account of a one-week holiday Ove and Sonja take together after they are married, while she is pregnant. They take a coach bus to Spain: “Sonja insisted that coaches were ‘romantic,’ and that sort of thing was incredibly important, Ove had learned” (163).

Spain is not a country for Ove: The tradition of taking a siesta in the middle of the day, for instance, doesn’t fit his hard-working attitude. To Ove, it’s a country for “playing foreign music in restaurants and going to bed in the middle of the day” (163). Since Sonja is pregnant and wants to sleep a lot, however, she takes part in the midday tradition.

Throughout the entire week, Sonja takes her siestas and Ove, always in need of structure, keeps busy. He sees a man putting up a fence “the wrong way” (166), so he takes over the job to ensure it’s done right. Then he helps a man drag a horse out of some mud. He also builds a new exterior wall on a church building. Ove never mentions these things to Sonja. Years later, she finds out and responds, “People can say whatever they like about you, Ove. But you’re the strangest superhero I ever heard about” (166).

On the coach ride home, Ove feels the child kicking in Sonja’s belly. He tears up, which he tries to hide by gruffly excusing himself, saying he needs the toilet. The chapter concludes ominously: “It was the happiest week of Ove’s life. It was destined to be followed by the very unhappiest” (166). 

Chapter 19-21 Analysis

These chapters touch on the theme of fatherhood. Ove knows he’s not cutout for the role:

It’s not that Ove was afraid. He just didn’t know how to prepare himself for fatherhood. He had asked for some sort of manual but Sonja had just laughed at him. Ove didn’t understand why. There were manuals for everything else (156).

As usual, Ove wants things orderly—but this is not what parenthood is like. However, his tears when he feels the baby kicking confirm that he will be a caring father.

The evils of bureaucracy are central throughout these chapters. There is a slight bit of foreshadowing regarding Rune’s future in Chapter 19 when Ove and the cat pass his house and find a cigarette butt outside. This belongs to the bureaucrats who want to put Rune in care home: “The Škoda-driving man from the council seems to drive about in these parts as if he owned them” (151). Again, we see a lack of respect from a bureaucratic figure, driving in car-free zones and throwing cigarette butts onto other people’s properties.

In Chapter 20, Ove has his run-in with the bureaucratic figure behind the cigarette butts. It leaves him completely shaken. He is powerless in the face of such figures:

He had almost forgotten that feeling. The humiliation of it. The powerlessness. The realization that one cannot fight men in white shirts. And now they’re back. They haven’t been here since he and Sonja came home from Spain. After the accident (162).

This scene draws a parallel to Ove’s hopelessness after Sonja’s accident, which the narrative now alludes to and later details. The confrontation of “the suits” also recalls Ove’s powerlessness after losing his family home. This feeling permeates Ove’s entire life, and the culmination of such events leads to Ove’s desire to commit suicide.

The events of Chapter 20 confirm Ove’s distrust of technology, another prominent theme throughout the novel. The man in the Škoda befuddles and angers Ove because the man knows both his and Lena’s names. He asks Lena how she found him, and she explains that she managed because Ove used a card to pay for his train ticket. It turns out that Ove was right to distrust technology: If he had paid cash, he could have remained anonymous.

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