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Danielle JensenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Freya, sometimes called Freya Born-in-Fire, is the protagonist and first-person narrator of the novel. She is a 20-year-old woman who is secretly a child of the goddess Hlin. Because her connection to the gods gives her unique powers, she also fits the pattern of the archetypal hero. Her life is a series of challenges and adventures, and the circumstances of her birth are unusual. Additionally, she is characterized by courage, strength, and honor, and she endures hardship and risks her life for the good of others. Freya doesn’t spend time pitying herself for the bad things that happen to her; instead, she makes the best of her circumstances and achieves her goals. However, Freya is often ruled by her emotions, and although she acknowledges that her bad temper gets her into trouble, she can be rude and petty whenever she experiences guilt or fear. Freya’s character is often revealed by other characters’ interpretations. Bjorn tells her, “I have a great many doubts, […] But the courage of Freya Born-in-Fire is not one of them” (171). Bodil calls Freya a “clever, passionate woman with a good heart—a woman worth following” (253). It’s important that Freya’s own interpretation of her character is supplemented by other characters’ opinions because Freya is unable to see herself objectively, and her narration therefore has an element of unreliability. Although her own humility creates a misleading impression of her character, Bjorn and Bodil provide additional information that demonstrates her potential as a hero.
Freya’s longs to live a life of passion and excitement as a raiding warrior, but her opportunities are limited by her patriarchal society, which has forced her into an abhorrent marriage. However, once Freya begins fighting in battles, the bellicose life she once desired no longer holds the same appeal. She develops a new desire along with her forbidden lust for Bjorn, the son of her new husband. She is also motivated by a need to protect her family and friends, regardless of the costs to her own well-being. In addition to these overt desires, Freya’s unconscious desire is to gain control of her own destiny. As a child of the gods, she is “Unfated,” meaning that she has the power to change her own fate, and this ability highlights The Tension Between Destiny and Autonomy. As a complex character, Freya has flaws, and her most notable form of inhibition revolves around her guilt and sense of responsibility for everyone else. She blames herself for the actions of others and repeatedly chooses to serve others’ needs before her own. This tendency prevents her from controlling her own destiny, especially as Snorri and Ylva exploit her devotion to her family to compel her to make war on other jarls and on Nordeland.
Freya regularly has epiphanies and develops new insights that inspire her to change, but she often returns to her maladaptive behaviors. For example, when she finally realizes that her mother and brother have exploited her, she vows not to sacrifice herself for them. However, the very next time they are threatened, she chooses their needs over hers once again. She often wishes that her fate were already determined so that she would be shielded from making bad decisions, and this wish highlights The Consequences of Exercising Free Will. Freya also recognizes that men seeking power have exploited her, but she feels Bjorn is wholly different and allows her feelings for him to limit her own autonomy. When she learns that he has lied to her and betrayed her, she embraces her new freedom to truly take charge of her own life and fate.
Bjorn, known to some as Bjorn Firehand, is Freya’s romantic interest, and he and Freya embody the archetype of the star-crossed lovers. Their love affair is forbidden because Freya is married to Bjorn’s father, and it is also potentially fated to end tragically. If anyone learns of their love, they could be killed. Bjorn is also Freya’s friend and archetypal ally. He helps her to face her challenges, and his loyalty and admiration reveal Freya’s worthiness as a hero. A third archetypal role Bjorn fulfills is that of the father-son conflict. This archetype is defined by tension between the two due to a separation during childhood that manifests when they meet again as men. Bjorn was in Nordeland for many years and was believed to be a captive of King Harald until three years ago. Now, Bjorn fights by his father’s side and makes a show of loyalty, but he also harbors a great deal of hidden resentment.
Bjorn’s physical appearance is an important aspect of his characterization. Freya calls him “alarmingly attractive” (8). He is tall and muscular, with “high cheekbones and chiseled lines” (8). He treats Freya with dignity, loyalty, and acceptance, revealing the quality of his character. As he tells her, “Nothing about you is ugly, Freya, least of all the scars you earned defending your honor and family” (73). This moment portrays him as a man of compassion and integrity. By the story’s climax, Bjorn learns to trust Freya as much as she trusts him. After he goes over a waterfall with her, Freya notes, “He’d willingly taken that plunge, trusted my magic would save us, believed we were strong enough to survive it” (380). The strength she refers to is the strength of their bond. Bjorn continues to stay by Freya’s side even as he sees her becoming more like the monster his mother saw in her visions. He tries to help her recognize those changes and urges her to change her relationship to The Tension Between Destiny and Autonomy. As a child of the gods himself, Bjorn’s character has parallels to Freya’s. The most significant one is how he’s been exploited for his abilities, developing the thematic look at Exploitation as a Means of Acquiring Power. However, Bjorn’s character is complex and intentionally ambiguous; he is vague about his past, and the novel’s subtext often suggests that he carries unknown depths. Bjorn’s motivation is similarly ambiguous, for although he declares his love for Freya, the revelation of his other betrayals throws doubt on the veracity of his claim. He lies to Freya about his mother being alive, his relationship to King Harald, and his loyalty to Nordeland, and Freya therefore wonders if he has lied about loving her, too.
Snorri is the chieftain—the jarl—of the Skaland territory in which the novel is set. He is the character who comes closest to being the story’s antagonist. As such, he can be viewed in the role of the shapeshifter archetype: a character who blurs the line between ally and enemy. When he first discovers that Freya is the shield maiden and recruits her to marry him and fight for him, he does so because of a prophecy claiming that the one who controls her destiny will unite and rule Skaland. At times, his reasons for desiring this goal appear ethical even if his methods are forceful. He believes that a united Skaland can better protect itself from external enemies, and that he will be a good and effective ruler. Based on this, Freya is willing to fight for him, but when her successes in battle show Snorri how much power he can gain, he becomes increasingly ambitious and reckless. When Freya questions the integrity of his motives, he becomes more of an enemy than an ally. As a political leader, Snorri also acts as a foil to Freya and the potential leader within her. As his ambition overshadows the sense of responsibility he once had for his people’s safety, Freya’s compassion and sense of duty are emphasized by contrast.
Because he is a skilled orator, Snorri’s ability to gain allegiance with his words reveals his skill at manipulation. Bjorn warns Freya that Snorri is “remarkably adept at twisting stories and myths so that they support his way of thinking” (72). Ironically, Snorri manages to mislead himself, too. Even though he knows that Freya is Unfated and understands that the prophecies about her are not guaranteed, he considers his connection with her to be his “promised destiny” (77) because the force of his desire is greater than the force of logic. However, Snorri’s relationship with Ylva adds depth to his character; although he was unfaithful to her once in the past, when Bjorn was conceived, he is unfailingly loyal to her in the present, causing Freya to question her unflattering assumptions about him. By contrast, Snorri’s proclaimed determination to rescue Bjorn from his captors throughout his childhood proves to be far less noble, for his efforts are a form of Exploitation as a Means of Acquiring Power. Snorri’s primary function in the narrative is to attempt to possess Freya because he must control her fate to make the prophecy come true for himself and his people.
Ylva is Snorri’s first wife and “the lady of Halsar” (37). She is also a volva, a witch capable of using powerful runic magic. For the most part, Freya sees Ylva as an enemy. Ylva has a confrontational interpersonal style and is especially hostile toward Freya, resenting her status as Snorri’s second wife. However, Ylva supports Snorri’s desire to rule a united Skaland by exploiting Freya’s powers. Freya also sees Ylva as an enemy because Ylva wants to displace Bjorn as Snorri’s heir in favor of her son. Yet there are moments when Ylva’s words and actions make Freya question her enmity. For example, she helps Freya to escape Grindill to find answers about Hlin and Skaland’s fate because she doesn’t want to see Snorri achieve power and glory while his people die or live in fear.
Ylva’s motivations have little to do with Freya. She wants Leif to be Snorri’s heir because she believes that the people deserve to be ruled by a true and loyal Skalander. Her loyalty to her people fuels her motivation to protect Skaland, and she is willing to sacrifice her own needs for the good of others. Ylva’s actions also develop Freya’s understanding of The Tension Between Destiny and Autonomy. Their society believes that every mortal’s fate is predetermined, for every detail is woven by the Norns. Freya has therefore assumed that people have no choice in their actions and therefore no blame, but Ylva challenges this view. She believes that the Norns do not determine one’s actions; they only know what actions a person will choose. She says, therefore, that she is “not released from culpability, only predictable in it” (337). Ylva’s suggestion that people are responsible for their choices regardless of fate has significant implications for the novel as a whole. On one hand, it adds to the burden of choice inherent in making decisions with real consequences. On the other hand, it means that everyone, including Freya, can take control of their lives and their destinies through the choices they make.
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