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53 pages 1 hour read

William Faulkner

A Fable

Fiction | Novel | Adult | Published in 1955

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Character Analysis

The Corporal

The corporal is the central character in A Fable, even if he is absent for much of the narrative. Though he is a lowly corporal from a French colony, he inspires nearly 3,000 men to rebel against their officers and stop fighting. His ability to inspire others with a message of peace is a core aspect of his main function in the novel, to act as an analogy for Jesus Christ. The passion of Christ, in which he is executed by Roman authorities and resurrected three days later, provides the broad template for the corporal’s life. But whereas the life of Christ is replete with miracles and acts of divine inspiration, the corporal’s only notable achievement is to compel his fellow soldiers to stop fighting. In this fashion, the corporal as an analogy for Jesus Christ is a comment on the nature of modern warfare. The contrast between the corporal’s era and Christ’s era is such that the corporal bringing about a temporary but doomed peace is analogous to Christ performing miracles, such as a resurrection. In the contemporary era, the brutality of World War I has devastated people’s ability to believe. With the violence and scale of death that is witnessed by the fighting men, faith and religion are no longer viable. In such a violent world, a man who can inspire a temporary peace is worthy of adulation and comparison to Jesus Christ. As his inevitable execution follows along the Biblical account of Christ’s death, from the betrayal to the last supper to the temptation to the moment of his death, the corporal embodies the defiance and the plea for a new moral cause in an unforgiving world that was portrayed in the Gospels.

As well as being a Christ-like figure, the corporal is also the son of the marshal. The marshal is the most powerful man in the French Army, someone who has been feted from a young age to take over command of one of the world’s most powerful militaries. For all his wealth and success, however, the marshal abandoned the corporal to be raised by his half-sisters. In this sense, the corporal is an orphan, and he is only reunited with his father at the moment when his father has the ability to sentence him to death. The corporal’s life becomes a demonstration of the marshal’s investment in traditional ideas of war. Just as the marshal abandoned his son, he abandons his son’s ideas. The corporal becomes a sacrifice on behalf of his father, sent to his death so as to end the false armistice and force the soldiers back to war. The corporal dies for his cause, accepting his death and refusing escape because he has become a corporeal rejection of his father’s ideas. Their father and son relationship is built on mutual rejection.

After his death, the corporal is taken away to be buried by his family. They bury the cheap wooden coffin in no-man’s land, halfway between each army. The symbolic burial is a reaffirmation of everything that the corporal stood for, reminding the armies of their similarities and their inevitable drive toward death, all for the sake of a small bit of French countryside that will allow another officer to win another medal. An artillery shell falls on the grave and destroys the coffin but the body is later retrieved and buried in Paris in the grave of the Unknown Soldier. This unknowing act of grave robbery adds a new dimension to the corporal’s memory. In death, he becomes the embodiment of every soldier. The Unknown Soldier is a stand-in, a way to memorialize the dead who were never recorded in the history books. The unnamed, anonymous corporal sought to end the war on behalf of these exact people and is buried in their memory.

The Marshal

The marshal, also referred to as the old general and the generalissimo, is the head of the French Army. With the war being fought so predominantly in French territory, he pulls rank over the generals from Britain and America to lead the war effort against the Germans. As such, he is the most powerful character to appear in the book and the living embodiment of the officers’ ideas about war and glory. His power gives him the capacity to spare or condemn the mutinous corporal who he later discovers is his long-forgotten son. In this sense, the marshal plays the role of the Biblical figure of Pontius Pilot, the man who condemns the Christ figure to death to preserve the status quo. The marshal never questions the importance of the military. He never questions his generals in their view that the most important concern is to restart the war in the same fashion. To the marshal, this is obvious. He has risen to the ranks of marshal not because he challenges authority, but because he so completely represents the military officers’ views about War and Peace. War is a vehicle for glory, a way to achieve a certain kind of peace which can be celebrated with brandy and medals. The peace brought about by the corporal’s false armistice is not just an inconvenience to the marshal, but a repudiation of everything he represents. He becomes Pilot because he is the institution which must condemn his own son so as to preserve the authority of the institution.

The Quartermaster General speaks at length about his knowledge of the marshal’s past. The marshal comes from a wealthy family, in a political and financial sense. From a young age, he was expected to achieve great things. Whether in the political, industrial, or military spheres, people knew that—one day—he would be one of the most important men in France. The marshal’s history confronts the idea of destiny. The marshal’s destiny was to become the embodiment of the officer’s beliefs about War and Peace, even when he was still in military school. Even after he chose to exclude himself from France and Paris—sending himself out to the fringes of the Empire, defying the military’s orders, and fathering a child with an unknown woman—he was still respected and admired. In the time between his return from the periphery of the French Empire and the time at which the novel is set, he fulfils his destiny and becomes the most powerful man in the French military during the most devastating war in France’s history. Then, his son arrives. The corporal is a ghost from the marshal’s past, the nemesis whose crime of temporarily pausing the war prompts the marshal to choose between executing his own son or preserving the military’s status quo. The marshal chooses the military, fulfilling the destined promise of the feted golden boy.

Six years after the events of the novel, the marshal is dead. He receives a state funeral, and, in this new era of peace, his body is paraded through the packed streets to celebrate the victory that the marshal helped to achieve. This funeral contrasts with the small, anonymous burial of the marshal’s son. The corporal is unwittingly buried in the tomb of the Unknown Soldier. Both men are buried in Paris, one as a commemoration of the military and one in the mistaken tribute to the men who were killed by the reckless military ventures that the marshal enshrined. The marshal, a man who prolonged the war by executing his own son, is celebrated as a hero. This is juxtaposed against the corporal, who was executed by his father for the crime of trying to end a brutal war. The juxtaposition between the two burials shows that the people care more about the manner in which a war ends than in the idea of peace at any cost.

The Runner

If the corporal is allied with the enlisted men and the marshal represents the officer class, then the runner is the man who is able to cross the boundaries between these two separate worlds. The runner was once an officer who went to his superiors and asked to be demoted back to the rank of enlisted man. He has occupied the officers’ world, understood their ideology, and found it to be intolerable. He does not want to remain in that space as he feels more comfortable fighting and dying alongside the enlisted men, rather than sending such men to fight and die over small scratches of blasted out French farmland. The runner has witnessed the bloody vapidity of the officer class up close and rejected it, not turning away from the military as a whole, but allying himself with the enlisted men who he believes are victimized by the officers. This rejection of rank is an act of solidarity, choosing one side of the Class War over another. Through the runner, the novel explores the interplay between the officer and the enlisted classes.

The runner’s desire to demote himself comes from a place of empathy. He empathizes with the enlisted men and would rather fight and die alongside them than cause them any harm. This empathy is also evident in the way he seeks to learn more about those around him. He is fascinated by the private who collects life insurance from the other enlisted men, so he actively seeks out Sutterfield to learn more about the man’s story. Even after learning about the mysterious racehorse which supposedly made the men a fortune, the runner stands allied alongside the private. The enlisted men, he realizes, are not a homogenous group of marginalized people. They are complex and nuanced in their own right. When the private kicks him in the face, encouraged by a sergeant and an officer, the runner realizes all too well that his interest and his allyship are not always appreciated. Nevertheless, he does not lose the empathy that defines him.

The runner encourages others to act on the corporal’s beliefs and cross the battlefield unarmed. He is nearly killed when a barrage of artillery shells falls on him and the other unarmed men. The runner is badly maimed, losing an arm and a leg while sustaining a great deal of facial injuries. Despite these injuries, he is still committed to the ideal which prompted him to wander out into no-man’s land. He remains dedicated to the corporal, visiting his family and throwing the corporal’s medal at the marshal’s funeral parade. The runner wants to bring the corporal’s message to the rest of the world and he suffers accordingly. He tries to live his life in accordance with the teachings of a man who he never meets, but he suffers immeasurably for it. Despite his suffering, he never stops trying. As he tells the Quartermaster General when he is escorted away, he will “never” (437) die. His maimed body and his ideas will haunt the country, just as he haunts the marshal’s funeral.

Marthe

In a novel dominated by men and chauvinism, Marthe is one of the few female characters. As the crowds pour through the streets, she is one of the first individuals to appear. She is tired, withdrawn, and hungry, broken down by the passage of war and the danger to the half-brother she helped to raise. Despite the violence of the war and the strangeness of the circumstances, she continues to stand up for herself. She shows no fear to the male police officer who attempts to discipline her, and she is not thankful when a soldier gives her bread. She has learned not to acquiesce to the patriarchal society which has denied her the chance to be happy and content with her family. The morsel of bread is the least she is owed by the men who have tried—and are still trying—to take everything away from her. Marthe functions as an essential feminine rebuke of the male-dominated arguments of the nature of war which have brutalized the entire world.

Marthe’s world is also marked by loss. She loses her mother, her father, her husband, and her half-brother over the course of the novel. The marshal is explicitly to blame for at least two of these deaths, but Marthe never demands compensation from him. She views him as a product of his society, a representative of the imperialistic, violent ideas which have forcibly shaped her world. She has never known peace in her life, as she has always been forced to work and to take care of her family. Whether she is running her dead husband’s farm—and doing at least as well as he did, according to her neighbors—or protecting her sister who has a mental disability, or even confronting the French military’s most powerful man about the true identity of the corporal, she is strong and independent. When talking to the head of the French military, she has the wherewithal to demand food and board from the man who ruined her life, while refusing to show respect for his station or rank. Marthe has worked harder and longer than any of the officers and she refuses to bow before them. Her show of strength becomes a celebration of her endurance, showcasing her ability to survive through the very worst conditions through force of will alone.

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