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56 pages 1 hour read

Karina Yan Glaser

A Duet For Home

Fiction | Novel | YA | Published in 2022

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Parts 10-14Chapter Summaries & Analyses

Part 10: “Monday, October 22” - Part 14: “Friday, October 26”

Part 10, Chapter 53 Summary: “June”

The trailers arrive in the courtyard, and more families move into the shelter, creating a crowded cafeteria and inciting new conflict. Meetings with Mr. Fernsby are cold and bureaucratic, and there are new security officers.

Tyrell’s disappearance causes an uproar. Marcus walks through the Bronx to look for him, and Humberto drives the van around the neighborhood. At 9:30 pm, Tyrell returns from the Bronx with a “haunted look,” and the next day, he acts as if everything is fine.

Jeremiah doesn’t call or contact Tyrell, and the politicians and officials do not reply to the letters that Tyrell and June write to protest HSP. Meanwhile, the two continue to receive lessons from Domenika, who wants June to be “150 percent prepared” for the school orchestra audition. While Domenika instructs Tyrell, she sends June to practice in her basement. There, June sees pictures of Domenika performing for the president of the United States and at Carnegie Hall.

Part 10, Chapter 54 Summary: “Tyrell”

In the chapel, Tyrell practices with June until Marcus and Lulu’s family arrive. They want to hear June perform, but she isn’t ready. Abuela and Ms. Vega push her to be more confident, with Ms. Vega telling her to stretch her arms to the ceiling as if she were six feet tall. June plays “Viola Concerto in G Major” by Georg Telemann, and Tyrell plays a work by Shinchi Suzuki. Tyrell tells June that she’ll “rock” the audition.

Part 11, Chapter 55 Summary: “June”

Before her audition, June does Ms. Vega’s stretch—the “superhero pose.” June makes it into the orchestra and also earns the opportunity to perform a solo. Excited, June doesn’t notice her absent sister until Charlie asks about Maybelle’s whereabouts and a school police officer jogs toward her.

Part 11, Chapter 56 Summary: “Tyrell”

Marcus tells Tyrell about Maybelle’s disappearance. Tyrell, Marcus, Mrs. Yang, and Humberto drive to Chinatown. Ms. Gonzalez also arrives because Marcus texted her, and Tyrell hugs her. Realizing where Maybelle might be, Tyrell grabs Humberto’s phone and finds the location of the animal shelter.

Running through the Chinatown streets filled with tourists and shops, Tyrell ends up at Mott Street Animal Shelter and finds Maybelle playing with Nana. The others arrive, and as Mrs. Yang hugs her daughters, Tyrell suddenly feels left out.

Part 11, Chapter 57 Summary: “June”

In Cantonese, Mrs. Yang tells her daughters that she is sorry and that she loves them. June remembers walking through Chinatown’s narrow streets with her father, buying fruit and fresh pastries. She also remembers going to the playground with her sister and mother. At the same time, June thinks of Huey House and Marcus, Mamo, Domenika, and Tyrell and realizes that Huey House feels like a home too.

Part 11, Chapter 58 Summary: “Tyrell”

On the ride back to Huey House in the van, the Yangs sit together, so Tyrell continues to feel left out. Stephanie gives him a letter from Juan Ortiz—Bolívar Ortiz’s brother. Juan prays for Tyrell and wants him to have peace. He doesn’t want Tyrell’s past to limit his potential. In the chapel, Tyrell tells June that his father killed a person. They cry and hug, and June says that they’ll both be “okay.”

Part 12, Chapter 59 Summary: “June”

June wakes up and sees her mother helping Maybelle get dressed. Mrs. Yang is trying to “get better,” and Ms. Gonzalez helps her by getting her a counselor who speaks Cantonese. Mrs. Yang sees the counselor twice a week and takes medicine. Mrs. Yang explains that she was “so sad,” and she now hopes that June will forgive her. June is speechless, but she feels hopeful.

Part 12, Chapter 60 Summary: “Tyrell”

Tyrell looked forward to meeting with Ms. Gonzalez, but he dreads meeting with Mr. Fernsby. In between “ahems” and “hehs,” Mr. Fernsby tells Tyrell and his mother that they have found an apartment for him in Jamaica, Queens; Tyrell and his mother must move out next Tuesday. Tyrell’s mother protests that they cannot move because she doesn’t have a job. Mr. Fernsby tells her to get one.

In Lulu’s room, the characters discuss how Ms. Gonzalez helped Jeremiah and his mother find a nice apartment through a different program. They then mention another resident who, through HSP, moved into an “old motel” that is two miles away from a subway station.

Part 13, Chapter 61 Summary: “June”

To accommodate June’s rehearsal schedule, Marcus has Humberto drive to Chinatown, take Maybelle to visit Nana at the animal shelter, and then swing back to school to pick up June and take them back to Huey House.

Before the first practice, June has an unpleasant encounter with Henrietta Woo. They are performing “Concerto in A Minor” by Antonio Lucio Vivaldi, but Vivaldi wrote the piece for the violin, not for the viola, so the conductor, Ms. Tang, has transposed—or changed —the piece to fit the viola.

The practice room is the school’s cafeteria, and the conductor’s podium is a wooden apple crate. Eugene invites June to get bubble tea, and Henrietta and her friends look at June and laugh.

Ms. Tang tells the musicians that Vivaldi taught girls how to play instruments at an orphanage. She sees an orchestra as a family and stresses that each musician must listen and respond to the other. After June performs her solo, people congratulate her, but Henrietta makes fun of June for riding what she calls the “homeless bus.”

Part 13, Chapter 62 Summary: “Tyrell”

June calls Tyrell. She needs him to come to her school now. Using the emergency MetroCard from Ms. Gonzalez, Tyrell manages to get from the Bronx to Chinatown in 40 minutes.

Part 13, Chapter 63 Summary: “June”

June tells Tyrell about Henrietta, and she announces that they’re going to City Hall to talk to the mayor. Eugene runs toward them, and June finally tells him the truth about her living situation. Eugene expresses his sympathies and goes with them to City Hall, where a police officer refuses to let them in. He directs them to a website and declines Tyrell’s jellybean bribe. However, June hears the mayor’s advisors preparing for a press conference tomorrow afternoon at four o’clock; the conference will focus on HSP and unhoused people.

Part 13, Chapter 64 Summary: “Tyrell”

Back at Huey House, Tyrell and June organize. They tell Marcus about the press conference and make a digital graphic that Marcus sends to his contacts. Maybelle offers to make signs, and Tyrell tries to call Jeremiah, but no one answers.

Part 14, Chapter 65 Summary: “June”

Ms. MacMillan’s assistant gives Jeremiah’s numerous phone messages to June, who learns that Stephanie suppressed them. Maybelle pretends to be sick so that they can miss school and make posters for the press conference. Abuela convinces the people in the shelter to go to the press conference, and Marcus arranges for Humberto to drive them to City Hall.

Part 14, Chapter 66 Summary: “Tyrell”

Tyrell wants to go to Jeremiah’s house, but they don’t have time to take the train, and Humberto is tasked with picking up a new family. Because Domenika has a car, she drives them to City Hall even though she’s performing for the prime minister of Canada later. Domenika’s car has plastic bottles in the backseat, and her driving is erratic. Bartok gets sick, and to prevent him from vomiting, Tyrell reads excerpts from an adult romance novel.

Part 14, Chapter 67 Summary: “June”

The characters arrive at Jeremiah’s building, and Jeremiah hugs Tyrell before punching his shoulder. Tyrell explains why he didn’t return Jeremiah’s calls, and everyone starts talking about City Hall. They get back into Dominika’s car, and Jeremiah wonders why Tyrell is reading a book with half-naked people on the cover.

Part 14, Chapter 68 Summary: “Tyrell”

To get to City Hall on time, Domenika cuts in front of taxis and trailers alike. June thinks that they might die in a car accident, but they make it, and many people are there, holding signs about saving Huey House and wearing T-shirts proclaiming that unhoused people are not “invisible.”

Part 14, Chapter 69 Summary: “June”

Johnny Cleaver, a public relations person for Health and Human Services, tries to speak about HSP, but the crowd interrupts him with screams about restoring the jobs program and providing secure shelter. They began to chant, “We are not invisible” (392). June goes up to the podium to speak. Cleaver doesn’t want her to do so, but the crowd wants to hear June’s voice. The mayor also wants to hear what June has to say.

Part 14, Chapter 70 Summary: “Tyrell”

Because June gets a case of stage fright, Tyrell joins her on the stage and speaks first. He notes the benefits of Huey House before Cleaver interrupts him. Once again, the mayor encourages June to speak.

Part 14, Chapter 71 Summary: “June”

Tyrell gently pushes June to the microphone and reminds her of the “superhero pose.” June introduces herself and testifies to the benefits of Huey House, saying that the shelter introduced her to Ms. Gonzalez and Domenika and made her family “whole.” She doesn’t think that the government should displace families just to make their policies “look good.”

Cleaver turns off the microphone, but the mayor turns it back on. She admits that she doesn’t often hear feedback from her constituents, and she agrees to suspend HSP. The crowd cheers, and June’s mother expresses her admiration for her daughter. June looks at her watch and sees that the time is now 4:44 pm.

Part 14, Chapter 72 Summary: “Tyrell”

Tyrell watches June and her mother, but this time, he doesn’t feel left out or alone. The Huey House residents move to the steps of City Hall, and Tyrell sits next to June and Jeremiah and feels optimistic about life.

Parts 10-14 Analysis

In this section, The Power of Classical Music takes on a novel meaning as June’s viola becomes indirectly associated with issues of activism. During the first practice of the orchestra, Henrietta bullies June and tries to humiliate her for being currently unhoused. Rather than succumbing to Henrietta’s mean-spirited behavior, June uses it as motivation to rise above it and enact positive changes for herself. Summoning Tyrell and Maybelle, along with her newfound “family” at Huey House, she marches to City Hall to confront the mayor directly, and this adventure leads them to discover the press conference taking place the next afternoon. As the characters organize and form a de facto protest that results in the mayor suspending HSP, the novel suggests that even small positive improvements—such as June’s orchestra practice—can lead to unexpected opportunities and big changes.

The Power of Classical Music also brings June increased confidence. Before she performs in the chapel, Ms. Vega tells her, “June, dear, you need to project confidence […] Stand and reach your hands up to the ceiling. Pretend you’re six feet tall” (316). The stretch becomes known as the “superhero pose,” and it helps June calm herself before her audition and on stage in front of the mayor. Further cementing the power of classical music is Domenika’s choice of wardrobe, as she wears a T-shirt that reads, “I’M A VIOLINIST—WHAT’S YOUR SUPERPOWER?” (378). These various elements emphasize the power of music to bring about positive changes both internal and external.

Despite the novel’s broader social messages, the author also makes it a point to resolve the issues within the Yang family, and Maybelle’s disappearance acts as a catalyst for this moment. When Maybelle’s whereabouts are discovered, the incident forces Mrs. Yang to reengage with the world, and she hugs her daughters and apologizes for her recent behavior. From now on, Mrs. Yang becomes more communicative and involved, and June is grateful to note that her mother is now helping Maybelle get ready for school in the morning. These scenes reinforce Mrs. Yang’s return to a caring attitude toward her daughters.

The author’s focus on The Diverse Definitions of Family and Home becomes particularly pronounced in the final parts and coincides with June’s resolution of her struggle with The Choice Between Blaming Bad Luck and Taking Action. In Chapter 57, June remembers the pleasant moments that took place when she lived in Chinatown, and these reflections cause her to realize that Huey House has also given her many kind moments and amicable companions. She also comes to appreciate that families can grow to include people who are not related by blood, as many of the Huey House residents actively love and support her just as regular family members do. Marcus indicates that Huey House qualifies as June’s family when he tells her, “We’re coming to all your concerts, and we’re going to be that annoying family that makes a lot of noise” (318). His sentiments underline the fact that despite the residents’ personal life challenges, they often come together to support one another in times of both triumph and difficulty.

The resolution of the novel also clarifies the symbolism surrounding the term “big sister.” After June speaks at the press conference, Mrs. Yang says, “Jèhjè.” She also expresses her delight that June is her daughter, and she explicitly reassures June that Mr. Yang was also glad to have June as a daughter. With this effusive support, Mrs. Yang resumes her role as a loving and protective mother and connects the term “big sister” to the concepts of success and acclaim. Ultimately, June comes to appreciate the term as a positive label that celebrates her maturity, confidence, and competence.

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