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53 pages 1 hour read

James Patterson

1st to Die

Fiction | Novel | Adult | Published in 2001

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Prologue-Book 1, Chapter 11Chapter Summaries & Analyses

Book 1: “David and Melanie”

Prologue Summary: “Inspector Lindsay Boxer”

Inspector Lindsay Boxer stands on the terrace of her apartment and bounces between anger and overwhelming grief. She has a gun in her hand and is contemplating suicide.

Book 1, Chapter 1 Summary

David and Melanie Brandt have just been married in a ceremony held in a San Francisco hotel. They are in a hotel suite celebrating, when David gives Melanie earrings as a wedding gift. As they discuss the gift, someone knocks on the door. Melanie goes into the bathroom to try on the earrings and David answers the door.

Book 1, Chapter 2 Summary

When David Brandt opens the hotel room door, Phillip Campbell congratulates him and hands him a bottle of champagne. As David studies the bottle, Phillip stabs him in the chest. David falls to the floor. Phillip assesses his feelings, surprised he was capable of the crime. He hears Melanie’s voice coming from the bathroom. Melanie rushes toward David, but Phillip stops her and plunges the knife into her too. When she is dead, he carries her into the bedroom.

Book 1, Chapter 3 Summary

Lindsay visits her doctor to receive test results from a recent physical. The doctor tells Lindsay that she has “Negli’s aplastic anemia” (14), a rare blood disorder where the body is no longer able to make red blood cells. The doctor tells Lindsay this condition can potentially be fatal.

Book 1, Chapter 4 Summary

Lindsay can continue to work, but she will have to undergo intensive treatment. The doctor wants her to meet with a hematologist immediately, but Lindsay receives a page from her partner, Warren Jacobi, calling her to the scene of a double murder.

Book 1, Chapter 5 Summary

Lindsay arrives at the Hyatt still reeling from the news the doctor has given her. She learns she is in charge of the scene as she makes her way to the 30th floor. The first body is near the door. The bodies were discovered by the assistant manager of the hotel when the couple failed to check out as planned. Lindsay checks the man’s wallet, and then follows Warren into the bedroom where the bride is posed on the bed, still in her wedding dress.

Book 1, Chapter 6 Summary

Lindsay notes the bottle of champagne and a folded tuxedo jacket near the male victim. Lindsay gives Warren instructions to interview all the wedding guests, including the groom’s parents. Lindsay then rushes to the elevator because she feels herself becoming emotional.

Book 1, Chapter 7 Summary

Phillip Campbell hangs around outside the hotel, enjoying the fuss that he knows is about the crime he has committed.

Book 1, Chapter 8 Summary

Cindy Thomas is a reporter for the San Francisco Chronicle. Her beat is normally local interest, but she is the only one available when news of the double murder comes in. Cindy knows this is her chance to prove herself, so she bluffs her way into the hotel. Inside, she talks to the bellhop pretending to be a frustrated guest, which is how she discovers what room the murders took place in.

Book 1, Chapter 9 Summary

Cindy gets to the door of the suite and sees the male victim before one of the cops confronts her and quickly escorts off the scene to the elevator Lindsay has just boarded. In the lobby, Cindy follows Lindsay into the bathroom where Lindsay attempts to hide her emotional state. Cindy offers words of comfort, but Lindsay suspects it is a ploy to get information and blows Cindy off.

Book 1, Chapter 10 Summary

Lindsay returns to her office at the Hall of Justice where she and Jacobi go over what little evidence they have gathered. Lieutenant Sam Roth comes into the room late in the evening and yells at them because Cindy has written an exclusive on the murders. Lindsay realizes the whole day has passed and she hasn’t called the hematologist.

Book 1, Chapter 11 Summary

Lindsay goes home, walks her dog, Sweet Martha, and makes dinner of pasta and sauce. She thinks about how much she dislikes being alone: She is divorced, her father left the family when she was young, and her mother died when she was in college. She has a sister named Cat, but Cat doesn’t live close.

Prologue-Book 1, Chapter 11 Analysis

The prologue and all the chapters about Lindsay Boxer are written in first person. This allows the reader to have an intimate connection to the main character, who is introduced in one of the darkest moments of her life—on a terrace with her gun, contemplating suicide. Lindsay blames her despondency on her murder investigation of David and Melanie Brandt; readers can also surmise that her recent diagnosis with a life-threatening illness contributes to her despair. Outwardly, however, Lindsay fixates on her professional accomplishments: The murder investigation is frustrating because it has been difficult to solve, and her first thought after getting her diagnosis is that she might never achieve her career goal of becoming lieutenant within the homicide division of the police department. These thoughts illuminate Lindsay’s ambition—as a woman in a male-dominated field, she must remain tough, composed, and unemotional.

Lindsay’s ability to keep her feelings at bay is tested when she sees the murdered Melanie Brandt. Struck by the horror of the scene, Lindsay quickly excuses herself so that she can tamp down her visible reaction out of sight of the other cops. The implication is that they would think less of Lindsay if they saw her upset, confirming sexist assumptions about women’s abilities. Lindsay runs into Cindy, who—in contrast to the male cops—puts aside her reporting and offers Lindsay words of consolation. This is the beginning of a friendship, though neither character knows it at this point. However, as the novel continues and the reader is given insight into Lindsay’s quiet, lonely life, it becomes clear she is a woman who struggles to make close, personal connections. The theme of friendship grounds the novel and the rest of the series that follows what will become the Women’s Murder Club.

However, the author switches to the third person point of view in chapters that focus on characters other than Lindsay, including some of Lindsay’s friends, suspects in the murders, and the killer himself. The purpose of this is to give the reader information that Lindsay would not have access to, creating tension through dramatic irony—a literary technique in which readers know more about a given situation than characters do.

The Brandt killings take place on the eve of their wedding. The couple is celebrating, alone for the first time all day, and looking forward to the life they anticipate unfolding before them. It is in this moment the killer, Phillip Campbell, chooses to end their lives. Phillip is surprised by his ability to go through with the crime, as this is his first killing. Naming the killer this early is surprising; possibly, Patterson does this so readers have information that the investigators do not have—or this might be a way to deflect attention from the motives and truth behind the crime.

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