53 pages • 1 hour read
James PattersonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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At the Rock and Roll Hall of Fame, Lindsay and Chris watch security footage of a man they believe is red beard, their suspect.
Lindsay calls Kathy’s sister Hillary, convinced that Hillary knows the identity of Kathy’s ex-boyfriend. However, Hillary hangs up on Lindsay.
Lindsay speaks to Merrill again before leaving Ohio. Merrill still denies knowing the abuser’s name but insists that Hillary knows it.
Lindsay arrives home still determined to get Hillary to give up the man’s name. Lindsay’s hematologist Dr. Medved calls and asks her to come in for some news.
Lindsay updates Claire and Cindy on the case. Cindy volunteers to look into Kathy. Lindsay also tells them about her moment with Chris, which opens a discussion about spontaneous romance. Lindsay feels left out when she discovers she’s the only one without such a story.
Dr. Medved tells Lindsay that her blood counts are getting lower and orders her to undergo more frequent packed red blood cell transfusions.
Lindsay calls Claire to share the bad news before spending the evening watching her favorite movie.
Lindsay learns that Kathy’s trips to San Francisco after she moved to Seattle were not work related—possibly Kathy was still involved with her abusive boyfriend. Lindsay tries again to get Kathy’s family to talk; finally, Kathy’s mother relents and names Nicholas Jenks.
Nicholas Jenks is a best-selling novelist and an investor in Black Hawk Partners—owners of the winery where the DeGeorges were found. Lindsay shares this with her boss, but he believes the evidence is “beyond circumstantial” (231). As she leaves the Hall of Justice, Lindsay learns that Nicholas Jenks bought a case of the same champagne that was found in the Brandt hotel room.
Lindsay runs out of the Hall of Justice to a nearby bookstore to find a copy of Nicholas Jenks’s most recent book. Lindsay feels she is looking into the face of a killer as she studies the photo on the back cover.
The novel skirts themes of power and influence in several ways. The idea is first introduced when Chris is assigned to the investigation—the Brandts were part of the elite, so their wedding guests were high-profile enough that Lindsay’s boss adjusted normal police procedure to make sure to be sensitive to the whims and sensitivities of these powerful people. Now, something similar happens when Lindsay tries to get the name of Kathy Voskuhl’s violent ex-boyfriend. Despite the brutal murder of a family member they loved, Kathy’s mother and sister are terrified to tell Lindsay that Kathy’s abuser was Nicholas Jenks. As a best-selling author and rich investor, he has enough wealth and influence to successfully threaten Kathy’s family into silence, even before they know that he is the killer. The privilege of the haves consistently interferes with the investigation.
The detective story aspect of the novel here kicks into full gear. Lindsay collects a variety of clues: the fact that Kathy’s abusive ex-boyfriend was Nicholas Jenks, the fact that Nicholas Jenks bought a case of the same champagne that the killer brought with him to the Brandts’ hotel room, and the fact that Nicholas is part owner of the winery where the DeGeorges’ bodies were found. As we watch her piece together the evidence, things seem to fall into place perfectly—possibly a little too perfectly, as veteran readers of mystery novels will surmise. The genre typically features several possible solutions to the central mystery, many of which are decoys to throw the detective—and the reader—off the right track, a genre technique called a red herring. It’s very possible that despite the confluence of details here, Lindsay’s belief that Nicholas is the murderer is deflecting us from the real culprit.
By James Patterson
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